Romance et suspense s'ensuivent à Paris alors qu'une femme est poursuivie par plusieurs hommes qui recherchent la fortune volée par son mari assassiné. À qui peut-elle faire confiance?Romance et suspense s'ensuivent à Paris alors qu'une femme est poursuivie par plusieurs hommes qui recherchent la fortune volée par son mari assassiné. À qui peut-elle faire confiance?Romance et suspense s'ensuivent à Paris alors qu'une femme est poursuivie par plusieurs hommes qui recherchent la fortune volée par son mari assassiné. À qui peut-elle faire confiance?
- Nommé pour 1 oscar
- 4 victoires et 9 nominations au total
Marc Arian
- Subway Passenger
- (uncredited)
Claudine Berg
- Maid
- (uncredited)
Marcel Bernier
- Taxi Driver
- (uncredited)
Georges Billy
- Man in Stamp Market
- (uncredited)
Albert Daumergue
- Man in Stamp Market
- (uncredited)
Raoul Delfosse
- Taxi Driver
- (uncredited)
Lucien Desagneaux
- Passer-by in the Public Garden
- (uncredited)
Stanley Donen
- Man in Elevator
- (voice)
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesIt was agreed Cary Grant would keep all of his clothes on when he took a shower, as he was nearly sixty and slightly overweight. However, they then decided the scene was funnier that way.
- GaffesThe sign outside the embassy would not read "American Embassy." It would read "Embassy of the United States of America" or "Ambassade des États-Unis d'Amérique."
- Citations
Reggie Lampert: You're blocking my view.
Peter Joshua: Oh, uh, oh, uh, which view would you prefer?
Reggie Lampert: The one you're blocking.
- Générique farfeluDuring the last scene, the screen splits into a checkerboard screens showing Cary Grant and Audrey Hepburn's ending kiss along with Grant's funniest scenes from the movie and "The End".
- Autres versionsSome prints of the film omit the original music as it is not public domain, unlike the movie itself.
- ConnexionsEdited into 365 days, also known as a Year (2019)
Commentaire en vedette
I was one of those people who was convinced this was a Hitchcock movie when I first saw "Charade". I think this is because the idea of the plot, some of the set pieces and the style of direction are remarkably similar. The director here is Stanley Donan(co-director with Gene Kelly of "Singin' In The Rain"), and I thought he did a great job directing.
The real stars of this classy, entertaining and I think underrated Hitchcockian-like comedy thriller are the clever plot(with an ingenious McGuffin) and the marvellous romantic score from Henry Mancini. The cinematography is skillful enough and the Parisian locations are ravishing. Not to mention some truly wonderful set pieces such as Grant taking a shower fully clothed, Grant and Hepburn falling in love on a river boat, a hair-raising cliffhanger on the roof, the priceless funeral scene and the sequence under the stage.
The acting is marvellous, with charming, brooding and urbane Cary Grant and lovely and equally charming Audrey Hepburn making a dream pairing and making the most of a crisp, funny and sophisticated script. James Coburn makes a star-making turn, Ned Glass is deliciously obnoxious and Walter Matthau, a wonderful comic actor in his time, in an understated performance here that I personally think is the strongest one of the film. In fact, while I have nothing against George Kennedy, I did feel as though he was slightly phoning in his performance here, but considering how good this film is that is a minor criticism.
Overall, this film is terrific, not the best movie ever made but a long way from the worst. It is such a shame people have to be so derogatory to not only this film in general, but also about Grant, Hepburn and other movie stars like James Stewart when they have a lot more talent than most of the actors working today and that is a fact. Not trying to sound opinionated, but I'd rather watch any Hitchcock or this than any of the Friedberg-Seltzer spoofs or Steven Seagal's most sloppily paced, lazily acted film. 9.5/10 for "Charade". Bethany Cox
The real stars of this classy, entertaining and I think underrated Hitchcockian-like comedy thriller are the clever plot(with an ingenious McGuffin) and the marvellous romantic score from Henry Mancini. The cinematography is skillful enough and the Parisian locations are ravishing. Not to mention some truly wonderful set pieces such as Grant taking a shower fully clothed, Grant and Hepburn falling in love on a river boat, a hair-raising cliffhanger on the roof, the priceless funeral scene and the sequence under the stage.
The acting is marvellous, with charming, brooding and urbane Cary Grant and lovely and equally charming Audrey Hepburn making a dream pairing and making the most of a crisp, funny and sophisticated script. James Coburn makes a star-making turn, Ned Glass is deliciously obnoxious and Walter Matthau, a wonderful comic actor in his time, in an understated performance here that I personally think is the strongest one of the film. In fact, while I have nothing against George Kennedy, I did feel as though he was slightly phoning in his performance here, but considering how good this film is that is a minor criticism.
Overall, this film is terrific, not the best movie ever made but a long way from the worst. It is such a shame people have to be so derogatory to not only this film in general, but also about Grant, Hepburn and other movie stars like James Stewart when they have a lot more talent than most of the actors working today and that is a fact. Not trying to sound opinionated, but I'd rather watch any Hitchcock or this than any of the Friedberg-Seltzer spoofs or Steven Seagal's most sloppily paced, lazily acted film. 9.5/10 for "Charade". Bethany Cox
- TheLittleSongbird
- 22 févr. 2010
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Charada
- Lieux de tournage
- Hôtel du Mont d'Arbois, Megève, Haute-Savoie, France(First sequence, Swimming-pool)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 175 119 $ US
- Durée1 heure 53 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant