L'amour à vingt ans

1962
2h

ÉVALUATION IMDb

MA NOTE

François Truffaut, Shintarô Ishihara, Marcel Ophüls, Renzo Rossellini, and Andrzej Wajda in L'amour à vingt ans (1962)

Ajouter une intrigue dans votre langue"Love at Twenty" unites five directors from around the world to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of George... Tout lire"Love at Twenty" unites five directors from around the world to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson. The directors create their peculiar s... Tout lire"Love at Twenty" unites five directors from around the world to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson. The directors create their peculiar scenarios with Truffaut revisiting Antoine Doinel, this time finding some meaning to his li... Tout lire

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Prix
- 1 nomination au total

Anecdotes
In the segment "Antoine et Colette": on the wall of Antoine's second flat there is a poster for Les quatre cents coups (1959), which also starred Jean-Pierre Léaud as Antoine Doinel.

Connexions
Featured in Zbyszek (1969)

Bandes originales
La Chanson de Prévert
Music by Serge Gainsbourg
Lyrics by Serge Gainsbourg
Performed by Serge Gainsbourg

Commentaires des utilisateurs5

Commentaire

Commentaire en vedette

10/10

Great

This picture is worth watching just for Truffaut's terrific episode...it's too great for words. What a wonderful time that most have been back then when teenagers went to Mussorgsky recitals... not very common today, unfortunately. Anyway. Unlike American films which often show love in a artificial way, Truffaut and the other directors of the New Wave show realistic love, how it can be in real life. I love the way they film. The next episode (in Rome) is not quite as good as Truffaut's. In fact, it's real horrible. It almost ruins in otherwise a great film. The Japanese part is very good, but weird. I can't see why there must always be someone who dies in every Japanese film. The final episode in Poland is the 2nd best in the set. To conclude, I liked this movie a lot. It's the sort of film that makes you happy afterwards. And it's funny too. 5 out of 5?