L'éternité pour nous

1963
1h 15m

ÉVALUATION IMDb

MA NOTE

Monique Just, Michel Lemoine, and Sylvia Sorrente in L'éternité pour nous (1963)

Ajouter une intrigue dans votre langueA moody pianist-composer and his voluptuous strip-tease dancing babe are avoiding reality at a French seaside resort. The resort's young female manager has a dying husband on her hands, and ... Tout lireA moody pianist-composer and his voluptuous strip-tease dancing babe are avoiding reality at a French seaside resort. The resort's young female manager has a dying husband on her hands, and becomes attracted to the composer. When the husband dies, accusations and recriminations f... Tout lireA moody pianist-composer and his voluptuous strip-tease dancing babe are avoiding reality at a French seaside resort. The resort's young female manager has a dying husband on her hands, and becomes attracted to the composer. When the husband dies, accusations and recriminations fly, combined with various betrayals and jealousies.

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ÉVALUATION IMDb

6,1/10

MA NOTE

Voir l’information sur la production à IMDbPro

Commentaires des utilisateurs1

Commentaire en vedette

6/10

moody eroticism

This early low-budget entry from Benazeraf introduces the main themes of his later cult films like "La nuit la plus longue" (aka "Sexus"). There are a lot of impossibly pretty/moody characters, male and female, involved in hip, existential chatter, and intentionally meaningless dances of seduction and betrayal, emphasised by striking long shots and peek-a-boo camera angles. The main raison d'etre of this one is to show off the magnificent body of Sylvia Sorrente, which it does to great effect in teasing states of semi-undress and wetness. This is a very minor film, but it reflects the zeitgeist of the early 60's before outright nudity, panting and grappling took charge. And the women's casual cabana-wear definitely presages the low-rise, navel-flaunting fashions of 40 years later.