ÉVALUATION IMDb
7,7/10
7,6 k
MA NOTE
Un avocat renfermé risque sa carrière pour traduire un maître chanteur en justice.Un avocat renfermé risque sa carrière pour traduire un maître chanteur en justice.Un avocat renfermé risque sa carrière pour traduire un maître chanteur en justice.
- Nominé pour le prix 2 BAFTA Awards
- 3 nominations au total
Frank Pettitt
- Barman
- (as Frank Pettit)
Histoire
Le saviez-vous
- AnecdotesThe famous scene where Melville Farr (Dirk Bogarde), having been confronted by his wife Laura (Sylvia Syms) about Barrett (Peter McEnery), finally admits to her that he "wanted him," was added at Bogarde's request, and was partially written by him. Bogarde states in his autobiography that he felt the screenplay lacked credibility because it was too ambiguous and did not adequately explain Farr's involvement with Barrett, and skirted around the issue. It's worth noting that Bogarde was gay, and considered this movie an extremely personal project.
- GaffesCamera shadow moves onto Madge's coat as it pushes in closer from behind after Eddy leaves the bar.
- Citations
Detective Inspector Harris: I can see you're a true puritan, Bridie. Eh?
Bridie: There's nothing wrong with that, Sir.
Detective Inspector Harris: Of course not. There was a time when that was against the law you know.
- ConnexionsFeatured in Film Profile: Dirk Bogarde (1961)
Commentaire en vedette
Straightforward, non-sensationalized British film, an original from screenwriters Janet Green and John McCormick, has a ring of blackmailers taking advantage of the laws prohibiting homosexuality in England and threatening to 'out' certain parties if they don't pay up; after one victim commits suicide, a former friend--and married lawyer--decides to play detective and expose the blackmailers, at the risk of ruining his own career and marriage. Dirk Bogarde is excellent in the lead; his grimace of both humility and humiliation is rather touching, and very human. The victims are the usual lot (an actor, a hairdresser, etc.), but the film is exceptionally engrossing and well-made, neatly camouflaging its plea for tolerance under the guise of a suspense drama (and the denouement is nicely staged). Director Basil Dearden includes a few intentionally sardonic visuals, and he isn't afraid to knock down walls (though any male-to-male intimacy stays off-screen). Still, a watermark for gay cinema. *** from ****
- moonspinner55
- 29 juin 2007
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Détails
Box-office
- Budget
- 153 756 £ (estimation)
- Brut – à l'échelle mondiale
- 25 962 $ US
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.66 : 1
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