ÉVALUATION IMDb
7,7/10
12 k
MA NOTE
Un cambrioleur trahissant d'autres criminels se prépare pour un gros coup avec un complice qui pourrait bien se révéler aussi retors que lui.Un cambrioleur trahissant d'autres criminels se prépare pour un gros coup avec un complice qui pourrait bien se révéler aussi retors que lui.Un cambrioleur trahissant d'autres criminels se prépare pour un gros coup avec un complice qui pourrait bien se révéler aussi retors que lui.
- Prix
- 1 nomination au total
René Lefèvre
- Gilbert Varnove
- (as René Lefevre)
Philippe March
- Jean
- (as Aimé De March)
Jacques Léonard
- Un inspecteur
- (as Jack Leonard)
Histoire
Le saviez-vous
- AnecdotesMartin Scorsese's favorite gangster movie.
- GaffesWhen the inspectors get Silien in their car, the background starts sliding prematurely as the driver hops in, albeit the engine was not running.
- ConnexionsFeatured in Les échos du cinéma: Episode #1.50 (1962)
Commentaire en vedette
Jean-Pierre Melville's direction is a glorious tribute to classic American crime films of the 1940's and early 50's but has also a strong touch of originality. The story is set in the early 1960's Paris, but these criminals seem to live in a world of their own. It's a Hollywood film-noir underworld, where men constantly wear hats and trench coats like Humbrey Bogart, brandishing revolvers, drinking bourbon or scotch and driving big American cars, that look like tanks compared to small ordinary European vehicles around. The overall mood is dark and threatening and with the right kind of lightning and photography many scenes seem like epitomes of the best stuff the genre has ever offered.
Compared to its predecessors The Fingerman gives some new shine to the term 'hard boiled'. Women can still be fatal femmes in some sense, but mostly they get pushed around and are allowed attention only when men really need them. They are only there to pass information and sexual favors, nurse wounds and serve as minor helping hands. And when it comes to violence, they get the same rough treatment as any man.
Belmondo's role leans heavily to Dix Handley (Sterling Hayden) in John Huston's adaption of 'The Asphalt Jungle', only with a more visible dark side. His character is a strange and hypnotic mixture of honesty, treachery and bursts of sadistic violence. The way his tone of voice changes to more tender just before assault or murder is gripping. Serge Reggiani, although equally capable to violence, seems more mature and easier to identify with. Both men strongly overpower the happenings but not their own destinies. Fate still has its usual final word, as anyone familiar with characteristics of the genre well knows.
The plot with several flashbacks and changes of time and place may feel a little complex at the beginning, but opens up to be a very rewarding movie experience towards the end. This film easily equals and even surpasses many of its obvious paragons. Of the few Melville's films I have seen at this point this one became an instant favorite in a single viewing even beating the almighty Le Samurai. Very warmly recommended.
Compared to its predecessors The Fingerman gives some new shine to the term 'hard boiled'. Women can still be fatal femmes in some sense, but mostly they get pushed around and are allowed attention only when men really need them. They are only there to pass information and sexual favors, nurse wounds and serve as minor helping hands. And when it comes to violence, they get the same rough treatment as any man.
Belmondo's role leans heavily to Dix Handley (Sterling Hayden) in John Huston's adaption of 'The Asphalt Jungle', only with a more visible dark side. His character is a strange and hypnotic mixture of honesty, treachery and bursts of sadistic violence. The way his tone of voice changes to more tender just before assault or murder is gripping. Serge Reggiani, although equally capable to violence, seems more mature and easier to identify with. Both men strongly overpower the happenings but not their own destinies. Fate still has its usual final word, as anyone familiar with characteristics of the genre well knows.
The plot with several flashbacks and changes of time and place may feel a little complex at the beginning, but opens up to be a very rewarding movie experience towards the end. This film easily equals and even surpasses many of its obvious paragons. Of the few Melville's films I have seen at this point this one became an instant favorite in a single viewing even beating the almighty Le Samurai. Very warmly recommended.
- bygard
- 26 avr. 2007
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is Le Doulos?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Le Doulos
- Lieux de tournage
- Rue Watt, Paris 13, Paris, France(opening scene: Faugel walking under railway)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 82 772 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 9 362 $ US
- 1 juill. 2007
- Brut – à l'échelle mondiale
- 91 410 $ US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.66 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant