Quo Vadis

1951
Approved
2h 51m

ÉVALUATION IMDb

7,1/10

17 k

MA NOTE

Deborah Kerr, Robert Taylor, Peter Ustinov, and Patricia Laffan in Quo Vadis (1951)

Liretrailer1 min 47 s

3 vidéos

99+ photos

Sword & Sandal Biography Drama Romance

Ajouter une intrigue dans votre langueAfter fierce Roman commander Marcus Vinicius becomes infatuated with beautiful Christian hostage Lygia, he begins to question the tyrannical leadership of the despotic emperor Nero.After fierce Roman commander Marcus Vinicius becomes infatuated with beautiful Christian hostage Lygia, he begins to question the tyrannical leadership of the despotic emperor Nero.After fierce Roman commander Marcus Vinicius becomes infatuated with beautiful Christian hostage Lygia, he begins to question the tyrannical leadership of the despotic emperor Nero.

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

7,1/10

17 k

MA NOTE

Voir l’information sur la production à IMDbPro

Nommé pour 8 oscars
- 4 victoires et 10 nominations au total

Vidéos3

Streaming Passport: The Roman Empire

Photos231

+ 224

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Anecdotes
In his memoirs, "Dear Me" (1981), Sir Peter Ustinov recalled that MGM had sought him for the role of Emperor Nero but dithered for months, refusing to commit. During this time, he received numerous telegrams from the studio, one of which stated that they were concerned that he might be too young to play the notorious Roman Emperor. Ustinov replied that Emperor Nero died when he was thirty, and that if they waited much longer, he'd be too old. The studio cabled back: "Historical research has proved you correct. You have the part." Coincidentally (or not), Ustinov was 30 years old when this movie was released.

Gaffes
Marcus Vinicius is angry because the Emperor will not allow him to bring his legion into the city of Rome. Since the early days of the Republic a military commander was forbidden to bring his troops armed into the city of Rome.

Citations
Petronius: [in his dying letter to Nero] To Nero, Emperor of Rome, Master of the World, Divine Pontiff. I know that my death will be a disappointment to you, since you wished to render me this service yourself. To be born in your reign is a miscalculation; but to die in it is a joy. I can forgive you for murdering your wife and your mother, for burning our beloved Rome, for befouling our fair country with the stench of your crimes. But one thing I cannot forgive - the boredom of having to listen to your verses, your second-rate songs, your mediocre performances. Adhere to your special gifts, Nero - murder and arson, betrayal and terror. Mutilate your subjects if you must; but with my last breath I beg you - do not mutilate the arts. Fare well, but compose no more music. Brutalize the people, but do not bore them, as you have bored to death your friend, the late Gaius Petronius.

Autres versions
The DVD release restores the original overture and exit music, which, up until that point, was only heard in the original roadshow release and in the 1964 roadshow re-release.

Connexions
Edited into Atlantis, terre engloutie (1961)

Commentaires des utilisateurs151

Commentaire

Commentaire en vedette

7/10

Grand visual spectacle, magnificent score and solid performances make this worth watching

Quo Vadis is a good movie, but I personally don't consider it a truly great one. I did find some of the religious aspects over-bearing, some of the script rather stilted(Petronious' philosophical lines excepted) and a little rambling and bloated in the story and pace. Problems aside, Quo Vadis is a film of visual spectacle and grandeur. You can never go wrong with sweeping cinematography, lavish scope, sets and scenery and colourful costumes and Quo Vadis succeeds in all these areas. Mervyn LeRoy directs excellently, while Miklos Rosza's score is absolutely magnificent. The performances are solid, Robert Taylor does a good job playing it straight and isn't too dull and Deborah Kerr is as ravishing as ever, but it is Leo Genn playing Petronious more than admirably and especially a superb Peter Ustinov as Nero that walk away with the picture. All in all, a solid film albeit not one without its flaws. 7/10 Bethany Cox