Ginza keshô

1951
1h 27m

ÉVALUATION IMDb

MA NOTE

Ranko Hanai, Kikuko Hanaoka, Yûji Hori, Kyôko Kagawa, Tamae Kiyokawa, Yoshio Kosugi, Fumindo Matsuo, Masao Mishima, Mikio Naruse, Shigeru Ogura, Haruo Tanaka, Kinuyo Tanaka, Eijirô Tôno, Kiyoko Tsuji, Eijirô Yanagi, Rikie Sanjô, Ryuzo Oka, Sôzaburô Kikuchi, Teruo Wakatsuki, Ichirô Kodama, Kiyoshi Kusama, Tôru Chiba, Kiyokazu Iwashita, Yoko Haruyama, Shin Mogami, Toshikazu Hara, Hironao Takenaka, Yoichiro Taniuchi, and Yoshihiro Nishikubo in Ginza keshô (1951)

Ajouter une intrigue dans votre langueA few days in the life of a quiet geisha, single mother of a young, smart boy, in the lively Tokyo quarter of Ginza. A woman devoted to other people's needs, she will end by taking part hers... Tout lireA few days in the life of a quiet geisha, single mother of a young, smart boy, in the lively Tokyo quarter of Ginza. A woman devoted to other people's needs, she will end by taking part herself in one of the many disguises of Ginza.A few days in the life of a quiet geisha, single mother of a young, smart boy, in the lively Tokyo quarter of Ginza. A woman devoted to other people's needs, she will end by taking part herself in one of the many disguises of Ginza.

Director
- Mikio Naruse
Writers
- Tomoichirô Inoue
- Matsuo Kishi
Stars

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

7,0/10

436

MA NOTE

Director
- Mikio Naruse
Writers
- Tomoichirô Inoue
- Matsuo Kishi
Stars

Voir l’information sur la production à IMDbPro

Autres versions
There is an Italian edition of this film on DVD, distributed by DNA srl, "SOGNI DI UNA NOTTE (Yogoto no yume, 1933) + OMETTO, FAI DEL TUO MEGLIO! (Koshiben ganbare, 1931) + LE APPARENZE DI GINZA (Ginza Cosmetics, 1951)" (3 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.

Commentaires des utilisateurs3

Commentaire

Commentaire en vedette

8/10

Affectionate, sentimental, humorous

This is a gentle, affectionate take on a middle aged bar hostess, struggling to bring up a child alone and facing financial, sexual and end of career issues, as well as the implied disapproval of society. There is plenty of humour, though, and acute observation of people and relationships in their everyday lives.

Apparently slow initially, one gets gradually drawn in to care for these essentially good characters, even the weak and slightly unreliable ones (generally men).

The set pieces of bar life are particularly well observed. And the mutual respect and simple good manners of Japanese society as depicted is always fascinating to Western eyes.

As ever with Naruse, the camera-work is so effective one is hardly conscious of it as one engages with this picture of a determined but dignified struggle by a virtuous woman.