Casque d'or

ÉVALUATION IMDb

MA NOTE

Dans la France de la Belle Époque, trois voyous et un ancien escroc devenu charpentier tombent amoureux de la même femme, une sublime créature à la chevelure dorée.Dans la France de la Belle Époque, trois voyous et un ancien escroc devenu charpentier tombent amoureux de la même femme, une sublime créature à la chevelure dorée.Dans la France de la Belle Époque, trois voyous et un ancien escroc devenu charpentier tombent amoureux de la même femme, une sublime créature à la chevelure dorée.

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

7,6/10

6,4 k

MA NOTE

Voir l’information sur la production à IMDbPro

A remporté le prix 1 BAFTA Award
- 2 victoires et 2 nominations au total

Photos38

+ 32

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Histoire

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Le saviez-vous

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Anecdotes
Literary critics at the time were outraged by the fact that Jacques Becker chose to emphasize atmospherics at the expense of psychology. Nevertheless, Becker's approach had a profound effect on the young film-makers that would later go on to form the French New Wave, thereby changing French cinema forever.

Citations
[English subtitled version]
Old Woman Joinville Bar Patron: Charming! We can't go anywhere without meeting tarts.

Connexions
Edited into Apostrophes: Les plaisirs populaires (1989)

Bandes originales
Sobre las Olas
(uncredited)
Music by Juventino Rosas
[The music to which Marie reluctantly dances with Roland at Joinville]

Commentaires des utilisateurs45

Commentaire

Commentaire en vedette

8/10

Lovely film

Simone Signoret plays a beautiful woman of ill repute who is at the center of several men's affections - her hotheaded gangster boyfriend, an ex-criminal who's turned over a new leaf, and the leader of the gang himself. It's a pretty simple story but very well told by Jacques Becker, with the scenes involving a double cross and its brilliant ending standing out. The cinematography is wonderful, including an outdoor dance evoking the paintings of Renoir, a beautiful walk along the riverside, and the claustrophobic cells inside a police van. Signoret is radiant, defiant even as she's slapped around and with an air of sweet happiness when she's able to get away from it all, and Serge Reggiani is strong as well. Really just a solid film, one that expresses the spirit of France in the 1950's via its filmmaking, and a small window into the Belle Époque as well.