Une femme un peu eccentrique qui cherche toujours à être star à côté de son mari leader du groupe: elle se met dans des situations les plus étranges.Une femme un peu eccentrique qui cherche toujours à être star à côté de son mari leader du groupe: elle se met dans des situations les plus étranges.Une femme un peu eccentrique qui cherche toujours à être star à côté de son mari leader du groupe: elle se met dans des situations les plus étranges.
- A remporté 4 prix Primetime Emmy
- 11 victoires et 26 nominations au total
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Histoire
Le saviez-vous
- AnecdotesDesi Arnaz invented the rerun during the pregnancy episodes of the series by re-playing some episodes (and change some of the scenery and lines) from the first season to give Lucille Ball time to rest and start to raise their new born son, Desi Arnaz Jr..
- GaffesWhile Lucy is somewhat consistent in her lack of talent, Ethel at various times is shown to be excellent on the piano, as well as, having a very basic playing ability. In one episode, she plays 'Sweet Sue' and other songs while the group sings, but in various episodes where Lucy is trying to form a band, she is hopelessly inept on the instrument.
- Citations
Lucy Ricardo: How much do you want to bet?
Fred Mertz: Ten dollars.
Ethel Mertz: Well what's the matter with twenty dollars?
Ricky Ricardo: What's the matter with thirty dollars?
Lucy Ricardo: What's the matter with fifty dollars?
Fred Mertz: What was the matter with ten dollars?
- Générique farfeluIn the series' finale: The Ricardos Dedicate a Statue (1957), "Yankee Doodle Dandy" music is played, as the episode goes to & comes from a commercial break.
- Autres versionsMany scenes or parts of scenes are cut from the episodes for syndication, to make room for the much larger number of commercials present today.
- ConnexionsAlternate-language version of Älskade Lotten (1996)
- Bandes originalesJingle Bells
Written by James Pierpont
Performed by Lucille Ball, Desi Arnaz, Vivian Vance and William Frawley
Commentaire en vedette
To date, I have now seen every single episode from all 6 seasons of the "I Love Lucy" TV show from the 1950s. And, by far, I rate Season 4 as being the absolute best season of them all.
In fact, I'd quite confidently say that when it came to the show's superiority in the realm of its hilarious scriptwriting, Season 4 was, without question, the ultimate peak of Sit-Com perfection.
It was especially when the Ricardos and the Mertzes arrived in Hollywood, USA that this show's scriptwriters proved themselves to be at the absolute pinnacle of their craft by creating incomparably uproarious situations for Lucille Ball and her fellow cast members to indulge themselves in.
This review of mine is my respectful tribute to writers Bob Carroll Jr., Madelyn Pugh, and Jess Oppenheimer who, as a team, surely must have worked like fiends behind the scenes as they wrote one memorable episode of priceless, 1950's comedy after another.
I would also like to take this moment to salute and pay honour to director William Asher who was the one responsible for knowing exactly how to handle the script-material given to him and then mould the actors perfectly into the characters which they inevitably became. Even today, 60 years later, the "I Love Lucy" show still remains, on all levels, one of the most unique and unforgettable programs in all of television history, bar none.
In fact, I'd quite confidently say that when it came to the show's superiority in the realm of its hilarious scriptwriting, Season 4 was, without question, the ultimate peak of Sit-Com perfection.
It was especially when the Ricardos and the Mertzes arrived in Hollywood, USA that this show's scriptwriters proved themselves to be at the absolute pinnacle of their craft by creating incomparably uproarious situations for Lucille Ball and her fellow cast members to indulge themselves in.
This review of mine is my respectful tribute to writers Bob Carroll Jr., Madelyn Pugh, and Jess Oppenheimer who, as a team, surely must have worked like fiends behind the scenes as they wrote one memorable episode of priceless, 1950's comedy after another.
I would also like to take this moment to salute and pay honour to director William Asher who was the one responsible for knowing exactly how to handle the script-material given to him and then mould the actors perfectly into the characters which they inevitably became. Even today, 60 years later, the "I Love Lucy" show still remains, on all levels, one of the most unique and unforgettable programs in all of television history, bar none.
- xyzkozak
- 28 mai 2015
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Détails
- Durée30 minutes
- Couleur
- Mixage
- Rapport de forme
- 4:3
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