ÉVALUATION IMDb
7,1/10
3,4 k
MA NOTE
Ajouter une intrigue dans votre langueAs the Germans drop explosive booby-traps on Britain in 1943, the embittered expert who'll have to disarm them fights a private battle with alcohol.As the Germans drop explosive booby-traps on Britain in 1943, the embittered expert who'll have to disarm them fights a private battle with alcohol.As the Germans drop explosive booby-traps on Britain in 1943, the embittered expert who'll have to disarm them fights a private battle with alcohol.
- Nominé pour le prix 1 BAFTA Award
- 1 nomination au total
Robert Morley
- The Minister
- (as A Guest)
Histoire
Le saviez-vous
- AnecdotesWhen Sammy and Susan are at the Hickory Tree nightclub, Susan spots Gillian, an old acquaintance, and asks Sammy to start talking, to avoid the meeting. Sammy starts, and then Susan joins in reciting the following lines: "I never nurs'd a dear gazelle / To glad me with its soft black eye / But when it came to know me well / And love me, it was sure to die." These lines are from the poem "Lalla Rookh" (in the section entitled "The Fire Worshipers") by the Irish poet Thomas Moore (1779-1852).
- GaffesMost of the music played at the Hickory Tree is of a style of jazz called bebop. Bebop was just starting to evolve in the U.S. in the early forties, so it's unlikely that a British band would be playing it in 1943, the setting of this movie.
- Citations
Susan: Wouldn't it be silly to break up something we both like doing, only because you think I don't like it.
Sammy Rice: Yes, you've got it all worked out in the way women always have. They don't worry about anything except being alive or dead.
- Générique farfelu"It has been suggested that I should point out that the characters and incidents in this story are purely fictional. This I gladly do. They are." - N.B. N.B. is Nigel Balchin, the author of the original novel.
- ConnexionsFeatured in The Late Show: Michael Powell (1992)
- Bandes originalesIf You Were the Only Girl in the World
(uncredited)
Music by Nat Ayer
Performed by Ted Heath's Kenny Baker Swing Group
Commentaire en vedette
I have often sought out black and white films from the British cinema and was not disappointed when I came across The Small Back Room. Now possibly one of my favourite films of all time, the very good, simple underlying plot is overtaken by the principal characters, played by David Farrar and Kathleen Byron. An excellent supporting cast, including Michael Gough, Jack Hawkins and Leslie Banks enables the viewer to pull the curtains on a rainy afternoon and to lose themselves in a world that is not quite the 1943 in which the film is set and in in some ways is much later than the 1949 in which it was made. The relationship between Sammy and Susan is a deep and powerful, but secret one and is more curious when one has time to reflect and put it into its (early or late) 1940s context. The fact that they keep their feelings from their colleagues is endemic of the times but is a little curious nonetheless. A friend who knows about such things immediately latched onto the way that another male character fixes his intense gaze upon Sammy Rice to the extent that it now makes me a tiny bit uncomfortable in a non-21st century way. Keep watching this film and you will see more and more interplay between people that implies a further raft of professional and social relationships that the film never actually explores or explains. My verdict: Catch a stinking cold and take a day off work. Curl up on the sofa with a hot drink and lose yourself in a world that you will want to keep coming back to.
- paul-1983
- 3 févr. 2006
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Small Back Room
- Lieux de tournage
- Stonehenge, Salisbury Plain, Wiltshire, Angleterre, Royaume-Uni(Testing of the Reeve's Gun)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 232 972 £ (estimation)
- Brut – États-Unis et Canada
- 25 091 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 561 $ US
- 30 juin 2024
- Brut – à l'échelle mondiale
- 25 091 $ US
- Durée1 heure 46 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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