The Big Steal

The Big Steal (1949)

You can't go totally wrong with Robet Mitchum, and he is with Jane Greer, who was his sometimes girlfriend in Jacques Tourneur's fabulous Out of the Past (1947). This fast, chase chase chase movie is a lot of fun, and it careens through Mexico in a slightly insensitive but slightly exotic way.

Slightly. It sometimes seems like a quickie movie, for sure, but hey, this is about a love affair trying to bud amidst the chaos of crime, and there's nothing wrong with that. And one very nice thing is the Spanish is clean and honest. Even Greer's Spanish is very good, and there is no pandering to the audience too much (no subtitles, and when it switches to English it's natural).

Director Don Siegel has two legendary movies to his name, which is more than many greater directors can say: Dirty Harry (1971) and Invasion of the Body Snatchers (1956), as well as the highly regarded The Shootist (1976). I say all this partly to show he's got something special happening, and even a flawed effort like The Big Steal is going to have things to love, and to watch for.

So what to watch for? For one, even more that Mitchum who is always likable and convincing, is Greer. She brings a confident, brave, not quite hardened edge to her character and it's bracing. She never coys it up, never becomes the femme fatale of more stereotypical films. Mithcum is a good match for her, and as the race through the landscape, we get a continuation of the chemistry they started in Tourneur's film (which was set in California).

William Bendix is always a treat, even if a little bit easy to caricature, and he is cardboard here, for sure. But what the heck, he's just the one chasing, and if he become too interesting the film would start to look like fine art, which it isn't. In fact, if there is one thing that Siegel avoids it's high minded goals. He has something more pithy and immediate in mind, and gets it, and gets you, in the gut, and with an exhilaration that's really fine, really well done, not a cheap thrill at all.