Collines brûlantes

Titre original : The Burning Hills

1956
Approved
1h 34m

ÉVALUATION IMDb

MA NOTE

Natalie Wood and Tab Hunter in Collines brûlantes (1956)

Lorsque le frère de Trace Jordan est assassiné par des membres de la famille Sutton, il s'engage à signaler cette injustice au fort militaire le plus proche.Lorsque le frère de Trace Jordan est assassiné par des membres de la famille Sutton, il s'engage à signaler cette injustice au fort militaire le plus proche.Lorsque le frère de Trace Jordan est assassiné par des membres de la famille Sutton, il s'engage à signaler cette injustice au fort militaire le plus proche.

Director
- Stuart Heisler
Writers
- Irving Wallace
- Louis L'Amour
Stars

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

5,8/10

936

MA NOTE

Director
- Stuart Heisler
Writers
- Irving Wallace
- Louis L'Amour
Stars

Voir l’information sur la production à IMDbPro

Anecdotes
According to Tab Hunter's autobiography, studio executives were so displeased by Natalie Wood's "Mexican" accent that they even considered dubbing in another actress's voice.

Gaffes
During the Sutton gang's battle with the Native Americans, one of the gang is hit in the back with a thrown tomahawk and falls off his horse, toward the camera. He falls off too late and rolls right into the camera's shadow and seemingly knocks right into the camera itself.

Citations
Maria Christina Colton: They think they can treat me like those girls in the dance hall.
Trace Jordon: I'm sorry. I know how you must feel.
Maria Christina Colton: You can't. You are a man.

Connexions
Featured in Tab Hunter Confidential (2015)

Commentaires des utilisateurs20

Commentaire en vedette

6/10

Louis L'Amour novel turned into teen western...

Bubblegum western marketed at the time as if it were "Rebel Without a Cause" on the range (one of the tag lines read: "People would say, 'But they're only kids!'"). Half-breed girl (Natalie Wood, heavily pancaked and miscast, but still not bad) shelters a cowboy (Tab Hunter) embroiled in a vengeful feud with a scurrilous gang. Good, trashy fun; supporting cast including Earl Holliman and Claude Akins is solid, direction by Stuart Heisler fast-paced. The screenplay adaptation (by Irving Wallace, of all people) slants Louis L'Amour's story in favor of showcasing the teen heartthrobs of the day, but it has good action scenes and a satisfying wrap-up. **1/2 from ****