Garson/Pidgeon made a film in 1941 called "Blossoms in the Dust," about Edna Gladney, who was a social worker who championed "baby rights." Principally, that film is about stopping the use of the word "illegitimate" on a baby's birth certificate, which cruelly branded a person for life.
This film deals with religious bigotry, and does so effectively. Both films demonstrate that when people take a respectful, but firm stand for something, they can achieve a worthy result. It is a moral picture as one has mentioned, and is well done. People have paid a price to effect vital change. That's a worthy theme.
I have wondered in each case, whether Greer Garson had an interest in the cause. She would have had more choices of films during these periods, I would think. In any event, as usual, she did a good job.
The only time I thought she was actually bad in something (a couple of her films themselves were weak) was in her depiction of Eleanor Roosevelt in "Sunrise at Campobello" with Ralph Bellamy as FDR. The accent and manner were pretty awful -- no, really awful.
But this is a good film. TCM shows it fairly regularly, as part of a Walter Pidgeon birthday salute or for Greer Garson, etc.
