ÉVALUATION IMDb
7,2/10
11 k
MA NOTE
L'histoire de la vie de Calamity Jane, de son saloon et de sa romance avec Wild Bill Hickok.L'histoire de la vie de Calamity Jane, de son saloon et de sa romance avec Wild Bill Hickok.L'histoire de la vie de Calamity Jane, de son saloon et de sa romance avec Wild Bill Hickok.
- A remporté 1 oscar
- 2 victoires et 2 nominations au total
Allyn Ann McLerie
- Katie Brown
- (as Allyn McLerie)
Victor Adamson
- Barfly
- (uncredited)
Fred Aldrich
- Chicagoan
- (uncredited)
Leon Alton
- Townsman
- (uncredited)
Monya Andre
- Woman at Fort Dance
- (uncredited)
Beulah Archuletta
- Indian Woman in Saloon Balcony
- (uncredited)
Emile Avery
- Barfly
- (uncredited)
Mary Bayless
- Woman at Fort Dance
- (uncredited)
George Bell
- Barfly
- (uncredited)
Ray Bennett
- Officer at Fort Dance
- (uncredited)
Arthur Berkeley
- Bartender
- (uncredited)
Histoire
Le saviez-vous
- GaffesAfter leaving the ball at the fort, we cut to a shot of Calamity's bare back as she is undressing. Once she gets the dress off she is shown wearing undergarments that clearly cover most of her back.
- Citations
[the singer is a man in drag]
Wild Bill Hickok: She ain't very good lookin'
Calamity Jane: That ain't all she ain't.
- Autres versionsThere is an Italian edition of this film on DVD, distributed by DNA Srl: "AMORE SOTTO COPERTA (1948) + CALAMITY JANE (Non sparare baciami, 1953)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnexionsFeatured in The Doris Mary Anne Kappelhoff Special (1971)
- Bandes originalesThe Deadwood Stage (Whip-Crack-Away)
Written by Sammy Fain
Lyrics by Paul Francis Webster
Sung and whistled by chorus behind credits, then sung by Doris Day and chorus
Commentaire en vedette
Bursting with rollicking songs, 'Calamity Jane' starts with a brisk opening number, "The Deadwood Stage" that sets the tone for the jaunty, ear-pleasing musical numbers to follow--with Doris Day and Howard Keel in top form making each song a sheer delight. Day has fun with her role as the tomboy heroine who mistakenly brings the wrong actress to Deadwood--but in true musical fashion, both women end up with a man of their own. The score is splendid with 'Secret Love' given a great interpretation by Day (both vocally and visually). But the other songs are equally worth listening to: Higher Than A Hawk, The Black Hills of Dakota, A Woman's Touch (one of the catchiest numbers), and, of course, Just Blew In From The Windy City in which Day's singing and dancing talents are in high gear. Watch how gracefully she performs the "lifts" to the balcony, never missing a beat. Even though the story is nothing less than preposterous, the cast is so expert they make you forget the unrealities of the script. Just sit back and enjoy!! When Day and Keel lift their voices in song, they can do no wrong.
- Doylenf
- 13 avr. 2001
- Lien permanent
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Détails
Box-office
- Brut – à l'échelle mondiale
- 3 177 $ US
- Durée1 heure 41 minutes
- Rapport de forme
- 1.37 : 1
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By what name was Terreur blonde (1953) officially released in India in English?
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