Ajouter une intrigue dans votre langueThe invasion of Mexico by Cortez, as seen by a young Spanish officer fleeing the Inquisition.The invasion of Mexico by Cortez, as seen by a young Spanish officer fleeing the Inquisition.The invasion of Mexico by Cortez, as seen by a young Spanish officer fleeing the Inquisition.
- Nommé pour 1 oscar
- 1 nomination au total
- Reyes
- (uncredited)
- Doña Hernandez
- (uncredited)
- Mercedes De Vargas
- (uncredited)
- Doña Maria De Vargas
- (uncredited)
- DeLora
- (uncredited)
- Aztec
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesIn several of the scenes in Mexico, a large smoke cloud is seen on the horizon. At the end of the movie smoke is shown rising from a volcano. This is most likely a fortuitous eruption of the Paricutin volcano in 1947, when the movie was filmed, standing in for the eruption of Popocatepetl on Cortez's day.
- GaffesEarly in the film in the prison, several characters are shown in separate scenes carrying a lantern and appear to be dragging an electrical cord attached to one of their legs. Although there is a candle in the lantern, the light coming from the lantern is so constant and bright that it is obviously coming from an electric light bulb shining down from the top of the lantern.
- Citations
Coatl: I think of what you do for me in Spain. I think I speak to you now. Maybe I understand better why you come here. This is my country, senor. These are my people, my gods. We not come tell you to stop loving your gods. We not come to make you slaves. Why do you do this, senor?
Pedro De Vargas: Well, I'm afraid I haven't any answer for that. It isn't right for men to worship idols. There's only one true God.
Coatl: Maybe your God and my God same God. Maybe we just call him by different names.
- ConnexionsFeatured in 20th Century-Fox: The First 50 Years (1997)
"Castile" echoes Power's earlier films, "The Mark of Zorro" and "Son of Fury", as again he plays a gallant standing against an arrogant aristocratic class, but this time he runs afoul of the Inquisition, and must flee Spain to re-establish his wealth and reputation, accompanied by loyal friend Lee J. Cobb, and a servant girl who secretly adores him (Jean Peters, in one of her best performances). Recruited into the service of the charismatic Hernando Cortez (Cesar Romero, who nearly steals the film), it's off to Aztlan (Mexico, today) with a small army to face the overwhelming but naive Aztec civilization.
While the film frequently drifts into melodrama, shooting on location in Mexico (with the permission and support of the Mexican government), in glorious Technicolor, gives even the most mundane moments a sense of spectacle, and the cast is in top form. Worth singling out is a terrific supporting performance by Thomas Gomez, as a soldier/priest who dispenses common sense as well as religion, and helps Power realize that the woman he truly loves is not on a balcony, in Spain, but beside him, as they march towards their destiny.
Two aspects of the film deserve special recognition; Alfred Newman's score, featuring the vaulting 'Conquest' march, is one of the finest of his long career, and is even more popular today than when the film was released; and Arthur E. Arling and Charles G. Clarke's cinematography is truly magnificent, particularly in the breathtaking finale, as Cortez' forces proudly march across a broad plain, with active volcanoes in the background. Never has going 'on location' been more justified, as the image is unforgettable! If any 'Powers that Be' are reading this review, PLEASE offer this film on DVD, soon! And while you're at it, consider Power's other great films of the 40s and 50s; he deserves to be 'rediscovered' by audiences, today...
- cariart
- 11 juill. 2005
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Détails
Box-office
- Budget
- 4 500 000 $ US (estimation)
- Durée2 heures 20 minutes
- Couleur
- Rapport de forme
- 1.37 : 1