Of Human Bondage

1946
Approved
1h 45m

ÉVALUATION IMDb

6,3/10

782

MA NOTE

Paul Henreid, Eleanor Parker, and Alexis Smith in Of Human Bondage (1946)

A medical student with a club foot falls for a beautiful but ambitious waitress. She soon leaves him, but gets pregnant and comes back to him for help.

Liretrailer2 min 35 s

1 vidéo

11 photos

Drama

Un étudiant en médecine au tombe en amour d'une belle mais ambitieuse serveuse. Elle le quitte bientôt, mais tombe enceinte et revient vers lui pour obtenir de l'aide.Un étudiant en médecine au tombe en amour d'une belle mais ambitieuse serveuse. Elle le quitte bientôt, mais tombe enceinte et revient vers lui pour obtenir de l'aide.Un étudiant en médecine au tombe en amour d'une belle mais ambitieuse serveuse. Elle le quitte bientôt, mais tombe enceinte et revient vers lui pour obtenir de l'aide.

Director
- Edmund Goulding
Writers
- W. Somerset Maugham
- Catherine Turney
Stars

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

6,3/10

782

MA NOTE

Director
- Edmund Goulding
Writers
- W. Somerset Maugham
- Catherine Turney
Stars

Voir l’information sur la production à IMDbPro

Emil Miller
(as Richard Nugent)

Phyllis Adair

Older Sister
(uncredited)

John Alban

Waiter
(uncredited)

Charles Andre

Artist
(uncredited)

Sylvia Andrew

Wife
(uncredited)

Nina Bara

Model
(uncredited)

Bobby Barber

Waiter
(uncredited)

Histoire

Modifier

Le saviez-vous

Modifier

Anecdotes
In an exchange which had Warner Bros. loaning to RKO the services of Joan Leslie for L'Aventure inoubliable (1943) and John Garfield for The Fallen Sparrow (1943), Warners acquired the production rights to W. Somerset Maugham's classic novel, which RKO already had adapted to the screen in 1934, featuring memorable performances by Bette Davis and Leslie Howard.

Connexions
Featured in Okay for Sound (1946)

Commentaires des utilisateurs23

Commentaire

Commentaire en vedette

Parker is dynamite!

This retelling of Somerset Maugham's classic is very handsomely "got up", and features a wonderful performance by the gifted Eleanor Parker as the heartless heartbreaker Mildred Rogers. But Eleanor's go at the role didn't produce quite the same results as it did for Bette Davis twelve years before. However, if it weren't for Davis' triumphant performance, the 1934 version would be just as forgettable as the others that followed. The 1964 take with Kim Novak/Laurence Harvey is certainly the weakest.