ÉVALUATION IMDb
7,1/10
10 k
MA NOTE
Un ancien pilote de bombardier est soupçonné du meurtre de sa femme infidèle.Un ancien pilote de bombardier est soupçonné du meurtre de sa femme infidèle.Un ancien pilote de bombardier est soupçonné du meurtre de sa femme infidèle.
- Nommé pour 1 oscar
- 1 nomination au total
Bea Allen
- News Clerk
- (uncredited)
Harry Barris
- Bellhop
- (uncredited)
George Barton
- Cab Driver
- (uncredited)
Mary Bayless
- Bar Patron
- (uncredited)
Edward Biby
- Restaurant Patron
- (uncredited)
Nina Borget
- Mexican Waitress
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesThe pressure of having to finish the screenplay combined with the curveball of having to write an entirely new ending was too much for Raymond Chandler. He quickly came down with a severe case of writer's block. According to a near-legendary story, Chandler offered to finish the screenplay by working drunk; in exchange for sacrificing his health to produce the requisite pages on time, Chandler was permitted to work at home (a privilege rarely granted to screenwriters) and was provided two chauffeured cars, one to convey the completed pages to the studio and the other for his wife. Chandler turned the script in on time. Many now believe the drunkenness was simply a ruse by Chandler to wrangle extraordinary privileges from the desperate studio.
- GaffesJoyce tells Johnny that the tide is out. Clearly the tide is all the way in, completely covering the beach.
- Citations
Joyce Harwood: Well, don't you even say 'Good night'?
Johnny Morrison: It's "good-bye", and it's tough to say good-bye.
Joyce Harwood: Why is it? You've never seen me before tonight.
Johnny Morrison: Every guy's seen you before somewhere. The trick is to find you.
- ConnexionsFeatured in The Hollywood Collection: Alan Ladd: The True Quiet Man (1999)
Commentaire en vedette
This is a superb film noir which although not as famous as some of Bogart's is just as good.
It's the story of a ex-pilot who comes back from the war to find his wife has become a party girl and their son died because of her drunkenness. The same night that he leaves her, she is killed and he becomes the prime suspect.
The plot is quite good with plenty of twists and turns. All the characters are quite believable and the supporting cast does an excellent job - in particular William Bendix. There is also a lot of subtle humor.
This is one of seven outings for Alan Ladd and Veronica Lake. I had seen him in Shane before and he's quite good here. Veronica Lake, who I had heard a lot about, has a small role and she does not play a femme fatale. I'd like to see some more of the Ladd-Lake outings given my impression from this one.
By the way, anyone who says this is a murder-mystery and not a noir doesn't know what they're talking about! The camera-work and lighting are excellent. You have the seedy hotel rooms, most of the filming is night-time and indoors L.A. and Ladd plays the lead who finds himself set-up for the fall. One note of criticism: the confession scene where the killer is confronted didn't really ring true and was overacted.
It's the story of a ex-pilot who comes back from the war to find his wife has become a party girl and their son died because of her drunkenness. The same night that he leaves her, she is killed and he becomes the prime suspect.
The plot is quite good with plenty of twists and turns. All the characters are quite believable and the supporting cast does an excellent job - in particular William Bendix. There is also a lot of subtle humor.
This is one of seven outings for Alan Ladd and Veronica Lake. I had seen him in Shane before and he's quite good here. Veronica Lake, who I had heard a lot about, has a small role and she does not play a femme fatale. I'd like to see some more of the Ladd-Lake outings given my impression from this one.
By the way, anyone who says this is a murder-mystery and not a noir doesn't know what they're talking about! The camera-work and lighting are excellent. You have the seedy hotel rooms, most of the filming is night-time and indoors L.A. and Ladd plays the lead who finds himself set-up for the fall. One note of criticism: the confession scene where the killer is confronted didn't really ring true and was overacted.
- faraaj-1
- 3 juin 2006
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Détails
Box-office
- Brut – États-Unis et Canada
- 2 700 000 $ US
- Durée1 heure 36 minutes
- Couleur
- Rapport de forme
- 1.33 : 1
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