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Ajouter une intrigue dans votre langueBiography of Frederic Chopin.Biography of Frederic Chopin.Biography of Frederic Chopin.
- Nommé pour 6 oscars
- 1 victoire et 7 nominations au total
Sig Arno
- Henri Dupont
- (uncredited)
Dawn Bender
- Isabelle Chopin - Age 9
- (uncredited)
David Bond
- Lackey
- (uncredited)
Walter Bonn
- Major Domo
- (uncredited)
Eugene Borden
- Duke of Orleans
- (uncredited)
William Challee
- Titus
- (uncredited)
Paul Conrad
- Waiter
- (uncredited)
Gino Corrado
- Man at Pleyel's
- (uncredited)
Peter Cusanelli
- Balzac
- (uncredited)
Norma Drury
- Duchess of Orleans
- (uncredited)
Claire Du Brey
- Madame Mercier
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesLiberace, who was in 1945 performing as "Walter 'Buster' Keys," stated that he got the idea of having an ornate candelabra on his piano from the scene in this film when George Sand (Merle Oberon) carries a candelabra into the darkened salon and places it on the piano to reveal Chopin as the pianist rather than Franz Liszt.
- GaffesAlmost all the pianos in the movie are artcase pianos made after the death of Chopin, the sound we hear is also of modern pianos.
- Citations
George Sand: [to Chopin] Discontinue that so-called Polonaise jumble you've been playing for days.
- ConnexionsFeatured in Liberace (1988)
Commentaire en vedette
It must have taken courage to cast Cornel Wilde as the frail composer and Merle Oberon as George Sand, but in the Hollywood of 1940s all of the studios were busy churning out inaccurate biographies of musical greats. (Biggest miscasting was Cary Grant as Cole Porter in "Night and Day").
So, it was no surprise when Columbia cast Cornel Wilde, handsome, debonair and athletic, as the composer and proceeded to create a script that had little to do with Chopin's actual life. But they can be forgiven. Film buffs who love serious music will have no qualms with the superb piano work by Jose Iturbi. Wilde does an excellent job of fingering as though he is doing the actual playing--perhaps the reason he won an Oscar nomination.
Handsomely photographed in fine technicolor, it's certainly pleasing to look at and easy to listen to. The only major flaw is Paul Muni, whose acting style here is so grotesquely hammy it belongs to the silent period of film acting. He's given too much footage.
Movie buffs will certainly enjoy this one for the pleasure of seeing Cornel Wilde in his star-making role and Merle Oberon at the peak of her beauty. If it's accuracy you insist on, stay away. It takes all the artistic liberties imaginable--and then some!
So, it was no surprise when Columbia cast Cornel Wilde, handsome, debonair and athletic, as the composer and proceeded to create a script that had little to do with Chopin's actual life. But they can be forgiven. Film buffs who love serious music will have no qualms with the superb piano work by Jose Iturbi. Wilde does an excellent job of fingering as though he is doing the actual playing--perhaps the reason he won an Oscar nomination.
Handsomely photographed in fine technicolor, it's certainly pleasing to look at and easy to listen to. The only major flaw is Paul Muni, whose acting style here is so grotesquely hammy it belongs to the silent period of film acting. He's given too much footage.
Movie buffs will certainly enjoy this one for the pleasure of seeing Cornel Wilde in his star-making role and Merle Oberon at the peak of her beauty. If it's accuracy you insist on, stay away. It takes all the artistic liberties imaginable--and then some!
- Doylenf
- 21 mai 2001
- Lien permanent
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Détails
- Durée1 heure 53 minutes
- Rapport de forme
- 1.37 : 1
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By what name was A Song to Remember (1945) officially released in India in English?
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