Un vendeur d'assurances se laisse entraîner par une femme au foyer séduisante dans un stratagème frauduleux de meurtre et d'assurance qui suscite la suspicion d'un enquêteur en assurance.Un vendeur d'assurances se laisse entraîner par une femme au foyer séduisante dans un stratagème frauduleux de meurtre et d'assurance qui suscite la suspicion d'un enquêteur en assurance.Un vendeur d'assurances se laisse entraîner par une femme au foyer séduisante dans un stratagème frauduleux de meurtre et d'assurance qui suscite la suspicion d'un enquêteur en assurance.
- Nommé pour 7 oscars
- 2 victoires et 9 nominations au total
- Stage Hand
- (uncredited)
- Pullman Porter
- (uncredited)
- Bit Part
- (uncredited)
- Train Conductor
- (uncredited)
- Conductor
- (uncredited)
- Nettie - Dietrichsons' Maid
- (uncredited)
- Norton's Secretary
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesThe house used as Barbara Stanwyck's character's home still stands today at 6301 Quebec Drive.
- GaffesAlthough set in 1938, Walter Neff makes reference to the "The Philadelphia Story", which did not debut on Broadway until 1939, and on film until 1940.
- Citations
[last lines]
Walter Neff: Know why you couldn't figure this one, Keyes? I'll tell ya. 'Cause the guy you were looking for was too close. Right across the desk from ya.
Barton Keyes: Closer than that, Walter.
Walter Neff: I love you, too.
- Générique farfeluOpening credits are shown over a silhouette of a man on crutches, walking toward the camera.
- ConnexionsEdited into Les Cadavres ne portent pas de costard (1982)
This first-rate and entertaining American classic Noir film draws its riveting tale and power from the interaction of finely drawn roles as well as drama , emotion and moody atmosphere . This classic mystery thriller follows James M Cain's book fairly closely otherwise . Twisted film Noir about murder , troubled relationships , treason , dark secrets , including an unforgettable dialog ; being based on the James M Cain's novel , which in turn was based on the true story of Ruth Snyder, the subject of a notorious 1920s murder trial , being screen-written by the prestigious Raymond Chandler and the same Billy Wilder . However , Billy Wilder and Raymond Chandler did not get along well while writing this film's script, a process that was apparently filled with arguments . As Billy Wilder didn't really get on with the famous novelist whose constant drinking irritated the director . It packs a good realization , an original script , haunting atmosphere , intriguing events ; for that reason madness and murder prevail . Fred MacMurray is superb as insurance salesman coerced into murder plot and Barbara Stanwick as predatory and alluring Femme Fatale is magnificent . Here his colleague Edward G Robinson is extraordinary and as cool as ever ; he plays as the astute and stubborn investigator , his scenes with Fred MacMurray are awesome and at their best . But Edward G. Robinson's initial reluctance to sign on largely stemmed from the fact he wasn't keen on being demoted to third lead . Good support cast formed by notorious secondaries such as Porter Hall , Tom Powers , Jean Heather , Byron Barr and Fortunio Bonanova . And Raymond Chandler's cameo , this marks the only film appearance of screenwriter and novelist Raymond Chandler .
Exciting as well as complex film , possessing a mysterious and fascinating blend of gripping thriller , serenity , baroque suspense in which especially stands out the portentous performances , evocative cinematography in black and white by John F. Seitz and thrilling musical score by the classic Miklos Rozsa . The motion picture was stunningly directed by the great Billy Wilder , as the American Film Institute ranked this as the #29 Greatest Movie of All Time . The film was nominated for 7 Academy Awards but lost out on the night to Going my way (1944) by Leo McCarey. It got a deep inspiration for other films , it is particularly obvious for ¨Body heat¨ by Lawrence Kasdan with William Hurt , Kathleen Turner and Richard Crenna . Remade for TV in 1954 by Buzz Kulik with Frank Lovejoy , Ray Collins and Laraine Day , and 1973 TV remake of the 1940s classic by Jack Smight with Richard Crenna , Samantha Eggar , and Robert Webber .
- ma-cortes
- 29 juin 2015
- Lien permanent
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Double Indemnity
- Lieux de tournage
- 6301 Quebec Drive, Hollywood Hills, Los Angeles, Californie, États-Unis(Dietrichson house)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 927 262 $ US (estimation)
- Brut – à l'échelle mondiale
- 19 543 $ US
- Durée1 heure 47 minutes
- Couleur
- Rapport de forme
- 1.33 : 1