Die goldene Stadt

1942
1h 50m

ÉVALUATION IMDb

MA NOTE

Ajouter une intrigue dans votre langueAnna Jobst is the daughter of a rich, conservative farmer. Living on the bank of the Moldau, she wishes nothing more than follow the river to Prague, the "Golden City".Anna Jobst is the daughter of a rich, conservative farmer. Living on the bank of the Moldau, she wishes nothing more than follow the river to Prague, the "Golden City".Anna Jobst is the daughter of a rich, conservative farmer. Living on the bank of the Moldau, she wishes nothing more than follow the river to Prague, the "Golden City".

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

6,1/10

269

MA NOTE

Voir l’information sur la production à IMDbPro

Prix
- 2 victoires et 1 nomination au total

Anecdotes
The uncut version was banned in postwar Germany by the Allied Military Government censors.

Autres versions
After World War II, the original theatrical version was cut by approx. six minutes by order of Allied Military Government censors. This version was used for the theatrical re-release in 1954 and all subsequent theatrical and home video releases. In 2023 the uncut version was released on Blu-ray/DVD in Germany.

Connexions
Featured in My Father, Rua Alguem 5555 (2003)

Bandes originales
Die verkaufte Braut
(The Bartered Bride)
Composed by Bedrich Smetana
(1863-1866)

Commentaires des utilisateurs5

Commentaire

Commentaire en vedette

9/10

Emotional and beautifully shot

Emotional and beautifully shot, "Die goldene Stadt" was one of the biggest hits of German cinema in the forties, not only in Nazi-Germany, but all over Europe. It was Harlan's first feature film in Agfacolor and clearly his use of color is not as elaborate yet as in "Immensee" or "Opfergang", but still quite impressive, especially in Söderbaum's vision of the "golden city" and the finale on the moors. Söderbaum's acting has a natural and sometimes dreamlike quality - no doubt she was one of the stars of European cinema the camera really loved. There are some ideological undertones reflecting the political climate, but certainly not more than in Russian oder American films of that period.