Released shortly before America's entry into the war, Columbia's "You'll Never Get Rich" is one of Fred Astaire's better films during the relatively dry period that extended from his last RKO film with Ginger Rogers to his first films at MGM
Since leaving RKO and Ginger Rogers, Astaire had danced with Eleanor Powell in "Broadway Melody of 1940" and with Paulette Goddard in "Second Chorus."
In "You'll Never Get Rich," he had a new partner in Rita Hayworth: a lushly beautiful redheaded actress who was being prepared for stardom in mostly low-budget films
She was a talented dancer who had worked with her family for many years in a vaudeville act called the Dancing Casinos
"You'll Never Get Rich" cast Astaire as Robert Curtis, a Broadway dance director who is drafted into the army
He becomes involved in an on-again, off-again romance with Sheila Winthrop (Hayworth), a beautiful chorus girl whose fiancé is a captain in the army
The not-very-interesting plot is often interrupted for musical interludes
Astaire and Hayworth dance together twiceto the sensuous Latin beat of "So Near and Yet So Far," and in "The Wedding Cake Walk," a military finale which has a chorus of war brides and soldiers, plus the two stars, dancing atop a huge tank
Astaire and Hayworth make an attractive dance team, although Hayworth seems a bit too formidable, too "grand" for Astaire's self-effacing style
. Astaire also has several numbers without Hayworth: most notably, a dance in a guardhouse to the song "Since I Kissed My Baby Goodbye," in which he combines several kinds of dazzling footwork
"You'll Never Get Rich" is lightweight but amiable entertainment, and it kept Astaire dancing