ÉVALUATION IMDb
7,2/10
3,9 k
MA NOTE
Une femme maître-chanteur défigurée par une cicatrice fait la connaissance d'un chirurgien esthétique qui lui offre la possibilité d'avoir un visage normal.Une femme maître-chanteur défigurée par une cicatrice fait la connaissance d'un chirurgien esthétique qui lui offre la possibilité d'avoir un visage normal.Une femme maître-chanteur défigurée par une cicatrice fait la connaissance d'un chirurgien esthétique qui lui offre la possibilité d'avoir un visage normal.
Histoire
Le saviez-vous
- AnecdotesDirector George Cukor wanted Anna's recital of her life story to be done in a tired, mechanical fashion, so he had Joan Crawford repeat the multiplication tables over and over until he got the monotonous tone he was looking for. Then, he rolled the cameras.
- GaffesWhen Anna visits Barring, he pours himself a drink and places it on the table without drinking it. On the following cut after speaking with Anna, he again picks up the bottle and pours himself a drink.
- Autres versionsThere is an Italian edition of this film on DVD, distributed by DNA Srl: "VOLTO DI DONNA (1941) + DONNE (1939) + Strange Cargo (1940)" (3 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnexionsFeatured in You Can't Fool a Camera (1941)
Commentaire en vedette
Joan Crawford, in a rare case of very sly, very competent underplaying, is cast as a facially scarred woman who falls in league (and perhaps in lust) with a blackmailing schemer with murder on his mind. The blackmail part of the deal is foiled when accomplice Crawford is befriended by Melvyn Douglas, the victim's husband (and plastic surgeon!); after restoring her beauty, Douglas must then stop Joan from carrying out the murder plot, targeting a child no less! Remake of an early Ingrid Bergman movie (1938's "En Kvinnas ansikte"), which in turn was based upon a French play, the film is over-plotted and over-flowing with hectic minutiae and chatty supporting characters. Also complicating matters is a story-frame set in the Royal Swedish Court: seems Joan is indeed on trial for murder, but whom did she kill? Despite a slow beginning, this turns out to be a rather shrewdly devised, sharply written melodrama, with some delicious turns of the screw. Crawford and Douglas work smoothly together (they were reteamed for a comedy the following year, "They All Kissed the Bride"), and the cinematography and art direction are marvelous. George Cukor directed, without a sense of humor, and the script might've stood some paring down. Otherwise, shamefully entertaining. **1/2 from ****
- moonspinner55
- 23 mars 2008
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Détails
Box-office
- Budget
- 1 343 000 $ US (estimation)
- Durée1 heure 46 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was A Woman's Face (1941) officially released in India in English?
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