ÉVALUATION IMDb
7,5/10
1,6 k
MA NOTE
Un brillant avocat voit resurgir ses origines juives et miséreuses lorsqu'il découvre que sa femme le trompe.Un brillant avocat voit resurgir ses origines juives et miséreuses lorsqu'il découvre que sa femme le trompe.Un brillant avocat voit resurgir ses origines juives et miséreuses lorsqu'il découvre que sa femme le trompe.
John Hammond Dailey
- Charlie McFadden
- (as J.Hammond Dailey)
Robert Gordon
- Henry Susskind
- (as Bobby Gordon)
T.H. Manning
- Pete Malone
- (as T. H.Manning)
Histoire
Le saviez-vous
- AnecdotesAlthough this film is frank about some matters, the Production Code of the Hays Office - i.e., censorship - was still in effect. In one 16mm print there is a curious moment of dead air at the end of Lillian Larue's parting speech to George Simon. She says (approximately), "Well, for God's sake, what do they expect for ten thousand dollars?" John Barrymore keeps looking at Larue (Thelma Todd) as if she is still speaking, and she must be, but there is no sound. Her last words in the text of the play are, "A virgin?"
- GaffesAt 44:10 into the film actress Angela Jacobs who plays the frumpy secretary Goldie Rindskopf is seen walking towards the cameras in the hallway in front of the elevators. She is wearing a black dress with scattered white dots. Much comedy relief is made of men watching her walk away with the spots accenting her motions. However, when the camera angles switches at 44:15 and this time when she is walking away from the camera she is wearing a different dress that is made up of mostly white flowers with very little black seen between the much busier pattern.
- Citations
Bessie Green: [answering a call] I thought you were dead and buried. Well sure I missed you, like Booth missed Lincoln. What do you think I've been doing, sitting around the house embroidering doilies?
- Générique farfeluThe opening credits cast list has the heading "The Players" preceding a list solely of the actors' names. "A Good Cast Is Worth Repeating... The Players" is the heading of end credits, which solely lists the same actors' names in the same order as the opening credits.
- ConnexionsFeatured in American Masters: Directed by William Wyler (1986)
Commentaire en vedette
Tragically, "Counsellor at Law" has never been released on video, so only pirate copies are available. I strongly advise you to get hold of one because the film is unquestionably a 10 on IMDB's scale--probably the best movie about a lawyer ever made. Another possibility is to see the play by Elmer Rice which the movie follows quite closely and which is presented in little theaters around the country from time to time.
Start with John Barrymore's absolutely unforgettable portrayal of attorney George Simon. Continue with the stunning art deco set and the direction which moves the action along at about 200 miles per hour. Most important, the film, which is set entirely in Simon's office, illustrates a tremendous range of business and personal problems confronting the high-powered New York lawyer in the 1930's.
On the personal side, Simon is an up from the gutter Jew who has made it big-time in the waspy world of New York law and business. He's married to an aristocratic non-Jewish woman who seems to despise him (along with her ungrateful kids). So one big theme of the film is the conflict between Simon's poverty-stricken past (his very common mother, his nogoodnick brother) and his newly acquired upper-class status in the non-Jewish community. Simon has feet in both camps and the conflict is revealing and very poignant.
On the business side, Simon has relationships with his partner, with the other lawyers in his firm, and with his staff--each one clearly and unforgettably etched (you'll never forget the telephone operator). He sees a range of clients and confronts a range of ethical problems. He's very tough when he needs to be, and has a huge soft heart as well. He cares deeply about his clients, and that has gotten him into trouble--big trouble.
Not to spoil the story, this film will knock your socks off. Although there have been hundreds of lawyer movies since 1933, none surpass this brilliant film for its insight into the life of the lawyer and into the perils of vertical class mobility.
Start with John Barrymore's absolutely unforgettable portrayal of attorney George Simon. Continue with the stunning art deco set and the direction which moves the action along at about 200 miles per hour. Most important, the film, which is set entirely in Simon's office, illustrates a tremendous range of business and personal problems confronting the high-powered New York lawyer in the 1930's.
On the personal side, Simon is an up from the gutter Jew who has made it big-time in the waspy world of New York law and business. He's married to an aristocratic non-Jewish woman who seems to despise him (along with her ungrateful kids). So one big theme of the film is the conflict between Simon's poverty-stricken past (his very common mother, his nogoodnick brother) and his newly acquired upper-class status in the non-Jewish community. Simon has feet in both camps and the conflict is revealing and very poignant.
On the business side, Simon has relationships with his partner, with the other lawyers in his firm, and with his staff--each one clearly and unforgettably etched (you'll never forget the telephone operator). He sees a range of clients and confronts a range of ethical problems. He's very tough when he needs to be, and has a huge soft heart as well. He cares deeply about his clients, and that has gotten him into trouble--big trouble.
Not to spoil the story, this film will knock your socks off. Although there have been hundreds of lawyer movies since 1933, none surpass this brilliant film for its insight into the life of the lawyer and into the perils of vertical class mobility.
- Michael-110
- 10 janv. 2000
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- How long is Counsellor at Law?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Der Staranwalt von Manhattan
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 22 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Counsellor at Law (1933) officially released in India in English?
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