Chance at Heaven

1933
Approved
1h 11m

ÉVALUATION IMDb

MA NOTE

Ginger Rogers and Joel McCrea in Chance at Heaven (1933)

Ajouter une intrigue dans votre langueAn ambitious mechanic is tempted to desert his wonderful girlfriend when a silly but rich debutante falls for him.An ambitious mechanic is tempted to desert his wonderful girlfriend when a silly but rich debutante falls for him.An ambitious mechanic is tempted to desert his wonderful girlfriend when a silly but rich debutante falls for him.

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

6,0/10

743

MA NOTE

Voir l’information sur la production à IMDbPro

Photos23

+ 18

Rôles principaux16

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Ginger Rogers

Marge Harris

Joel McCrea

Blacky Gorman

Marian Nixon

Glory Franklyn
(as Marion Nixon)

Andy Devine

Lucien Littlefield

Fred Harris

Virginia Hammond

Mrs. S.T. Franklyn

George Meeker

Sid Larrick

Ann Shoemaker

Mrs. Harris

Herman Bing

Franklyn's Chauffeur
(uncredited)

Harry Bowen

First Reporter
(uncredited)

Stephen Chase

Betty's Escort
(uncredited)

Helen Freeman

Franklyn's Guest
(uncredited)

Betty Furness

Betty
(uncredited)

Thelma Hardwick

Miss Bruce
(uncredited)

Dennis Morgan

Party Guest
(uncredited)

Nancy Shubert

Girl
(uncredited)

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Histoire

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Le saviez-vous

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Anecdotes
One joke needs explanation. When Joel McCrea brings his bride to their new house, he says that it's all theirs: "No plaster!" She says, "Oh, that's all right, dear. We can have it put on later." In contemporary slang, a plaster was a mortgage.

Citations
Blacky Gorman: Funny how a good kick in the pants will make a guy's head work.

Bandes originales
London Bridge is Falling Down
(uncredited)
Traditional
Sung a cappella by Ginger Rogers and Joel McCrea

Commentaires des utilisateurs20

Commentaire en vedette

6/10

Curious mix of slapstick and pathos

Caught this on TCM this morning - a bit disturbing, really, considering the light-hearted tone in the early going. A poor sap mechanic (McCrea) is stolen from his girlfriend (Ginger Rogers) by a wealthy heiress. Can a marriage involving such a gap in class succeed?

Although McCrea and Rogers are charming enough to watch, there are some upsetting elements in this yarn that would be readily discernible by modern audiences: hence, I assume that the screenplay slightly pre-dates the crackdown of the Production Code. However, you might find the movie interesting if you like to delve into the evolution of 'mature subject material' during this era. TCM has championed this pastime. 6/10