Ajouter une intrigue dans votre langueTurner, unjustly imprisoned, rejoins former inmates to con elderly men into marriage proposals. Initially seeking vengeance, she ultimately finds redemption and a new path.Turner, unjustly imprisoned, rejoins former inmates to con elderly men into marriage proposals. Initially seeking vengeance, she ultimately finds redemption and a new path.Turner, unjustly imprisoned, rejoins former inmates to con elderly men into marriage proposals. Initially seeking vengeance, she ultimately finds redemption and a new path.
Douglass Montgomery
- Bob Gilder
- (as Kent Douglass)
Purnell Pratt
- Edward Gilder
- (as Purnell B. Pratt)
Robert Emmett O'Connor
- Police Sergeant Cassidy
- (as Robert Emmet O'Connor)
Tyrell Davis
- Eddie Griggs
- (as Tyrrell Davis)
Isabel Withers
- Helen Morris
- (scenes deleted)
Louise Beavers
- Black Convict
- (uncredited)
Edward Brophy
- Burglar
- (uncredited)
Payne B. Johnson
- Baby
- (uncredited)
Fred Kelsey
- Night Policeman
- (uncredited)
Wilbur Mack
- Mr. Irwin
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesThis film was considered to be Joan Crawford's breakthrough role after years of playing empty-headed flappers in a series of profitable films. It was a coup for her as the original star, Norma Shearer, for whom the female lead had been commissioned had to decline the film due to pregnancy. Shearer was married to the studio brass, Irving Thalberg. "How can I compete with her," Crawford complained, "when she sleeps with the boss?"
The story was a perfect dramatic vehicle, allowing the leading lady to make the transition from wide-eyed innocent to hardened ex-convict to mature woman in love. With her other hits in 1930, Crawford now ranked as the nation's top box-office star. Studio head Louis B. Mayer was so happy he gave her a $10,000 bonus.
- GaffesAs Mary is led out of the courtroom, a moving shadow of the boom microphone is visible on the wall to the left of the door.
- Citations
Mary Turner: Gee, you're white, Joe.
Joe Garson: Save the flowers for my funeral.
- ConnexionsEdited into Within the Law (1939)
Commentaire en vedette
"Paid" is the story of a young woman, Mary (Joan Crawford), who is wrongfully convicted of theft in the workplace. She promises to get even with her employer after she serves her time in prison. The film might have been better if they had included more scenes of Mary in prison, demonstrating the rough and dehumanizing conditions she had to endure (as a way of explaining her motivation).
While in prison, Mary becomes friends with Aggie (Marie Prevost), a young woman who lives in criminal circles. She has plans for them both after their release.
After prison, Mary hooks up with Aggie again when she has financial problems. Aggie introduces Mary to Joe (Robert Armstrong)--a thief/grafter with a kind heart. With Mary's intelligence (she even studied law while in prison), this small group works a con that lets them live the good life. Still, Mary wants to be repaid for the three years she spent in prison. She gets to her former boss, Mr. Gilder, through his son.
"Paid" is an early talkie in the pre-code era and is interesting for that alone. It also includes a couple of phrases that, though racist in nature, were deemed acceptable at the time. Obviously, Joan Crawford made the transition from silent films to talkies without a problem. Though I am not a big fan, I find that I enjoy her earlier performances. She definitely had acting skills.
It is interesting to note those times that the director allows the camera to move. Also, the action that takes place on a rooftop--including a fall--was very well done.
I recommend this film, though it is a little wordy in the last third.
While in prison, Mary becomes friends with Aggie (Marie Prevost), a young woman who lives in criminal circles. She has plans for them both after their release.
After prison, Mary hooks up with Aggie again when she has financial problems. Aggie introduces Mary to Joe (Robert Armstrong)--a thief/grafter with a kind heart. With Mary's intelligence (she even studied law while in prison), this small group works a con that lets them live the good life. Still, Mary wants to be repaid for the three years she spent in prison. She gets to her former boss, Mr. Gilder, through his son.
"Paid" is an early talkie in the pre-code era and is interesting for that alone. It also includes a couple of phrases that, though racist in nature, were deemed acceptable at the time. Obviously, Joan Crawford made the transition from silent films to talkies without a problem. Though I am not a big fan, I find that I enjoy her earlier performances. She definitely had acting skills.
It is interesting to note those times that the director allows the camera to move. Also, the action that takes place on a rooftop--including a fall--was very well done.
I recommend this film, though it is a little wordy in the last third.
- atlasmb
- 15 avr. 2014
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Détails
Box-office
- Budget
- 355 000 $ US (estimation)
- Durée1 heure 26 minutes
- Couleur
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