Le premier compagnon Fletcher Christian mène une révolte contre son commandant sadique, le capitaine Bligh, dans cette aventure maritime classique, basée sur la véritable mutinerie de 1788.Le premier compagnon Fletcher Christian mène une révolte contre son commandant sadique, le capitaine Bligh, dans cette aventure maritime classique, basée sur la véritable mutinerie de 1788.Le premier compagnon Fletcher Christian mène une révolte contre son commandant sadique, le capitaine Bligh, dans cette aventure maritime classique, basée sur la véritable mutinerie de 1788.
- A remporté 1 oscar
- 4 victoires et 7 nominations au total
- Maimiti
- (as Mamo)
Best Picture Winners by Year
Best Picture Winners by Year
Histoire
Le saviez-vous
- AnecdotesActor James Cagney was sailing his boat off of Catalina Island, California, and passed the area where the film's crew was shooting aboard the Bounty replica. Cagney called to director Frank Lloyd, an old friend, and said that he was on vacation and could use a couple of bucks, and asked if Lloyd had any work for him. Lloyd put him into a sailor's uniform, and Cagney spent the rest of the day as an extra playing a sailor aboard the Bounty. Cagney is clearly visible near the beginning of the movie.
- GaffesThe portrayal of the mutiny shows loyalists and mutineers battling and killing one another on deck. This is false. When Christian took the Bounty it occurred at night where most of the crew were captured in their hammocks. The only person who struggled was Bligh himself.
- Citations
[Byam enters the courtroom and sees that the midshipman's dirk on the table points toward him; he knows that he has been condemned to death]
Lord Hood: Have you anything to say before the sentence of this court is passed upon you?
[long pause]
Byam: Milord, much as I desire to live, I'm not afraid to die. Since I first sailed on the Bounty over four years ago, I've know how men can be made to suffer worse things than death, cruelly, beyond duty, beyond necessity.
[turns to Captain Bligh]
Byam: Captain Bligh, you've told your story of mutiny on the Bounty, how men plotted against you, seized your ship, cast you adrift in an open boat, a great venture in science brought to nothing, two British ships lost. But there's another story, Captain Bligh, of ten cocoanuts and two cheeses. A story of a man who robbed his seamen, cursed them, flogged them, not to punish but to break their spirit. A story of greed and tyranny, and of anger against it, of what it cost.
[turns to Lord Hood]
Byam: One man, milord, would not endure such tyranny.
[turns again to Captain Bligh]
Byam: That's why you hounded him. That's why you hate him, hate his friends. And that's why you're beaten. Fletcher Christian's still free.
[back to Lord Hood]
Byam: Christian lost, too, milord. God knows he's judged himself more harshly than you could judge him.
[turns to Fletcher Christian's father]
Byam: I say to his father, "He was my friend. No finer man ever lived."
[addresses the court again]
Byam: I don't try to justify his crime, his mutiny, but I condemn the tyranny that drove 'im to it. I don't speak here for myself alone or for these men you condemn. I speak in their names, in Fletcher Christian's name, for all men at sea. These men don't ask for comfort. They don't ask for safety. If they could speak to you they'd say, "Let us choose to do our duty willingly, not the choice of a slave, but the choice of free Englishmen." They ask only the freedom that England expects for every man. If one man among you believe that - *one man* - he could command the fleets of England, He could sweep the seas for England. If he called his men to their duty not by flaying their backs, but by lifting their hearts... their... That's all.
- Autres versionsAlso available in a computer colorized version.
- ConnexionsEdited into The Extraordinary Seaman (1969)
The single most obvious among these is the star power involved: led by two Oscar-winning stars, the critically formidable Charles Laughton and the incredibly popular Clark Gable, the cast reads like a Who's Who of mid-1930s male actors ranging from leading man Franchot Tone to the memorable character actor Donald Crisp. In a visual sense, the film is also a knockout: filmed on location in a full-size replica of the Bounty, it set a new standard for capturing the sea on film. And the story itself is powerful, the tale of the battle between the cruel and autocratic Bligh and the humane and populist Fletcher Christian. Taken together, it makes for a powerful ride.
Still, some viewers may not find MUTINY ON THE BOUNTY all it is cracked to be. Then as now, Hollywood was less interested in getting the facts right than in telling a good story--and from a factual point of view the film is perhaps twenty percent accurate and eighty percent nothing more nor less than historical tarradiddle. That is no real hindrance per se; after all, we're not watching a documentary. But seen from a modern standpoint the cast now feels somewhat problematic.
Charles Laughton was so critically well regarded that he received star billing over Clark Gable for the film, and seen today his performance is easily the single most powerful in the entire film. Autocratic, brilliant, and immediately and increasingly unlikable, he drives the film from start to finish--and it is here, really, in which most of the film's historical accuracy resides. The rest of the cast, however, is extremely Hollywood. Clark Gable, Franchot Tone and all the rest give an excellent show, full of power and drive--but you never for a moment forget that they are indeed Hollywood stars and not members of the British Navy.
This is very much a "big" film in the MGM tradition, often brilliant, often memorable, and often setting new standards for the motion picture industry. And when regarded from that point of view it is extremely, extremely entertaining. But it may also be a film whose power has slightly faded with the passing of time.
Gary F. Taylor, aka GFT, Amazon Reviewer
- gftbiloxi
- 27 mars 2005
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Détails
Box-office
- Budget
- 1 950 000 $ US (estimation)
- Durée2 heures 12 minutes
- Couleur
- Rapport de forme
- 1.37 : 1