Potomok Chingis-Khana

1928
2h 7m

ÉVALUATION IMDb

MA NOTE

I. Dedintsev, Valéry Inkijinoff, Leonid Obolensky, and Anel Sudakevich in Potomok Chingis-Khana (1928)

Ajouter une intrigue dans votre langueAfter a run-in with the law, a Mongolian man becomes a fugitive and joins the Russian Civil War.After a run-in with the law, a Mongolian man becomes a fugitive and joins the Russian Civil War.After a run-in with the law, a Mongolian man becomes a fugitive and joins the Russian Civil War.

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

7,0/10

2,4 k

MA NOTE

Voir l’information sur la production à IMDbPro

Prix
- 1 victoire au total

Photos22

+ 14

Rôles principaux12

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I. Inkizhinov

otets Baira
(uncredited)

Valéry Inkijinoff

Bair- okhotnik
(as V. Inkizhinov)

A. Dedintsev

Nachalnik okkupatsionnyykx voysk

L. Belinskaya

Zhena nachalnika okkupatsionnykh voysk

Anel Sudakevich

Doch nachalnika okkupatsionnykh voysk
(as A. Sudakevich)

Viktor Tsoppi

Smith - skupshchik pushnini
(as V. Tsoppi)

Aleksandr Chistyakov

Komandir partizan
(as A. Chistyakov)

Karl Gurnyak

Angliyskiy soldat
(as K. Gurnyak)

Boris Barnet

Angliyskis soldat
(uncredited)

Fyodor Ivanov

Lama
(uncredited)

Leonid Obolensky

Adyutant nachalnika okkupstsionnykh voysk
(uncredited)

V. Pro

Missioner
(uncredited)

Histoire

Modifier

Le saviez-vous

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Anecdotes
Valéry Inkijinoff was a friend and classmate of Vsevolod Pudovkin at Moscow film school and the film was conceived with him in the lead part.

Gaffes
The British never ruled Mongolia. In fact, no European country ever did.

Connexions
Featured in A Million and One Nights of Film: Episode dated 28 February 1966 (1966)

Commentaires des utilisateurs18

Commentaire

Commentaire en vedette

10/10

Like Napoleon, a dazzling editing tour-de-force

Contrary to what the English guy says (hey, the Brits are the bad guys in this movie, whaddaya expect), this is to my mind the most impressive work of Soviet silent cinema-- an epic with several dazzling sequences of rat-a-tat-tat editing that invite comparison with Gance's Napoleon, as well as a deliberate build to an explosive climax that, in its willingness to delay gratification until almost the breaking point, has the operatic grandeur of something like The Godfather. Highly recommended (in fact, highly recommended before you see less accessible works such as October or Potemkin).