ÉVALUATION IMDb
7,5/10
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MA NOTE
Un compositeur fou et défiguré tente de séduire une jeune et ravissante chanteuse d'opéra.Un compositeur fou et défiguré tente de séduire une jeune et ravissante chanteuse d'opéra.Un compositeur fou et défiguré tente de séduire une jeune et ravissante chanteuse d'opéra.
- Prix
- 4 victoires et 1 nomination au total
John St. Polis
- Comte Philip de Chagny
- (as John Sainpolis)
Virginia Pearson
- Carlotta
- (1929 re-edited version)
- …
Olive Ann Alcorn
- La Sorelli
- (uncredited)
Betty Allen
- Ballerina
- (uncredited)
Betty Arthur
- Ballet Dancer
- (uncredited)
Joseph Belmont
- Stage Manager
- (uncredited)
Alexander Bevani
- Mephistopheles
- (uncredited)
Earl Gordon Bostwick
- Minor Role
- (uncredited)
Ethel Broadhurst
- Frightened Ballerina
- (uncredited)
Edward Cecil
- Faust
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesLon Chaney's horrific, self-applied makeup was kept secret right up until the film's premiere. Not a single photograph of Chaney as The Phantom was published in a newspaper or magazine or seen anywhere before the film opened in theaters. Universal Pictures wanted The Phantom's face to be a complete surprise when his mask was ripped off.
- Gaffes(1929 cut) When the Phantom's alarm goes off, the sound of the chimes does not always match the striking of the device's "arms". That is because what is heard is the film's soundtrack, not "sound effects", which do not exist in a silent film. As such, this being "off sync" is allowable.
- Citations
The Phantom: [Christine sees a casket in the room] That is where I sleep. It keeps me reminded of that other dreamless sleep that cures all ills - forever!
Christine Daae: You - You are the Phantom!
The Phantom: If I am the Phantom, it is because man's hatred has made me so. If I shall be saved, it will be because your love redeems me.
- Générique farfeluIn 1925 (and for many years afterwards), credits used to appear at the beginning of movies. In this film, the credits do appear at the beginning but also are repeated at the end, preceded by the following caption: "This is repeated at the request of picture patrons who desire to check the names of performers whose work has pleased them."
- Autres versionsIn 2012 it was determined that an "accidental 3-D" version of the film existed. From an examination of various prints of the film, it was discovered that most - if not all - of the original film was shot using two cameras placed side-by-side. This was most likely done to create simultaneous master and safety/domestic and foreign negatives of the film. However, when synched together and anaglyph color-tinted, the spatial distance between the two simultaneous film strips translates into an effective 3-D film. Under the working title of LA FANTOME 3D, a fund-raising effort is under way to locate and restore (create) a full "accidental 3-D" version of the film.
- ConnexionsEdited into Drácula (1931)
Commentaire en vedette
This 1925 silent classic is still impressive, even after seventy-nine years!
Lon Chaney's performance is easily the highlight of the movie. His ghostly movements about his underground lair are haunting even by today's standards.
Use all of the computer generated images you want, but there is no substitute for authentic, old-world macabre. The scene where Erik's face is revealed is still shocking. He seems as horrorified by Christine seeing his face as she is by seeing his face. He seems to feel genuinely violated by her taking his mask off, revealing his horrible visage to the last person on earth he would want to see it. The Technicolor scene of the "Bal Masque" is also quite famous. The backdrops are very effective in creating the moody, medieval atmosphere of the underground passages. All in all, an excellent version of a timeless story.
Lon Chaney's performance is easily the highlight of the movie. His ghostly movements about his underground lair are haunting even by today's standards.
Use all of the computer generated images you want, but there is no substitute for authentic, old-world macabre. The scene where Erik's face is revealed is still shocking. He seems as horrorified by Christine seeing his face as she is by seeing his face. He seems to feel genuinely violated by her taking his mask off, revealing his horrible visage to the last person on earth he would want to see it. The Technicolor scene of the "Bal Masque" is also quite famous. The backdrops are very effective in creating the moody, medieval atmosphere of the underground passages. All in all, an excellent version of a timeless story.
- ACitizenCalledKane
- 5 déc. 2004
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Phantom of the Opera
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 3 751 476 $ US
- Brut – à l'échelle mondiale
- 4 360 000 $ US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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Lacune principale
By what name was Le fantôme de l'opéra (1925) officially released in India in English?
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