I thoroughly enjoyed House of 1000 Corpses and The Devil's Rejects, Rob Zombie's first two outings for his murderous Firefly clan, but this third chapter is further proof that the rock star turned director has nothing new up his sleeve, and, worse still, seems to have lost all idea of what made his first couple of films so enjoyable in the first place.
3 From Hell is, as expected, violent, trashy and exploitative, but it is also unfocused, badly written, poorly acted, and not in the least bit shocking, everyone trying far too hard this time around, with Zombie's wife Sheri Moon being the worst offender: putting in a grating performance that is about as subtle and nuanced as a lump-hammer to the skull, she gurns and grimaces wildly throughout, her over-the-top 'acting' (for want of a better word) making this supposedly brutal bloodbath far too comical for its own good. Even with a better script, 3 From Hell was always going to fail so long as Rob insisted in putting his wife front and centre.
The plot - for what it's worth - sees the Fireflies sent to death row, having miraculously survived the shootout at the end of The Devil's Rejects. Captain Spaulding is executed by lethal injection (a shame, as he is far and away the best of Zombie's characters), but Otis (Bill Moseley) escapes, teaming up with Winslow Foxworth Coltrane (Richard Brake) to try and break Baby (Sheri Moon) out of jail. After successfully freeing Baby (don't ask how - it's dumb), the trio of killers head for Mexico (somehow avoiding capture at the border) where they are hunted by a team of luchador assassins led by Aquarius (Emilio Rivera), vengeful son of criminal Rondo (Danny Trejo), who was killed during Otis's escape.
In typical Zombie style, there's lots of cussing, plenty of nudity, and an excess of spurting, bloody wounds, with an overuse of slow motion accompanied by cool rock music, some occasional trippy imagery (including a head-scratching dancing cat scene), and a consistently grimy white-trash aesthetic (there's even a three-legged dog; it doesn't get more white-trash than that!). But more importantly, there's no heart, no originality, no sense of excitement, and no character progression.
As for disturbing... well, Clint Howard playing a clown is surely the stuff or nightmares, but everything else is just too contrived and cartoonish to be taken seriously.
