Le poirier sauvage

Titre original : Ahlat Agaci

2018
PG
3h 8m

ÉVALUATION IMDb

8,0/10

29 k

MA NOTE

Dogu Demirkol in Le poirier sauvage (2018)

A Cinema Guild Release. Opens January 30 at Film Forum (https://bit.ly/2UKbclR).

Sinan (Aydin Dogu Demirkol), an aspiring writer, returns home after university hoping to scrape together enough money to publish his first novel. He wanders the town encountering old flames and obstinate gatekeepers and finds his youthful ambition increasingly at odds with the deferred dreams of his gambling-addict father (Murat Cemcir). As his own fantasies mingle with reality, Sinan grapples with the people and the place that have made him who he is.
Following in the great tradition of family dramas like Death of a Salesman and Long Day's Journey Into Night, The Wild Pear Tree weaves an evocative tale of creative struggle and familial responsibility with inspired performances, sumptuous imagery and surprising bursts of humor. It's one of Nuri Bilge Ceylan's most personal works to date, a film as rich, layered and uncompromising as the novel its headstrong hero is working to publish.

Liretrailer2 min 05 s

1 vidéo

84 photos

Drama

Un écrivain en herbe retourne dans son village natal, où les dettes de son père finissent par le rattraper.Un écrivain en herbe retourne dans son village natal, où les dettes de son père finissent par le rattraper.Un écrivain en herbe retourne dans son village natal, où les dettes de son père finissent par le rattraper.

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

8,0/10

29 k

MA NOTE

Voir l’information sur la production à IMDbPro

Prix
- 10 victoires et 15 nominations au total

Vidéos1

Trailer 2:05

The Wild Pear Tree Official Trailer

Photos84

+ 78

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Histoire

Modifier

Le saviez-vous

Modifier

Anecdotes
According to Nuri Bilge Ceylan, The Wild Pear Tree is about a son's unavoidable slide towards a fate resembling that of his father.

Citations
Sinan Karasu: When we learn we are not so important why is our instinct to be hurt? Wouldn't it be better to treat it as a key moment of insight? We engender our own beliefs. Thus we need to believe in separation as much as in beauty and love, and to be prepared. Because rupture and separation in wait for everything beautiful. In which case, why not treat these tribulations as constructive disasters that help us pierce our own mysteries.

Connexions
Features Umutsuzlar (1971)

Bandes originales
Passacaglia and Fugue in C minor, BWV 582
Composed by Johann Sebastian Bach
Performed by Leopold Stokowski

Commentaires des utilisateurs81

Commentaire

Commentaire en vedette

8/10

NBC's most complete film

The main character has a very rich and interesting personality, as well as the other characters that surround him. The cinematography is amazing as usual but some of the weird things that happen during the moving shots make them far less impressive than the glorious still shots.

It's very easy to find things from your own life within the story and the dialogues that occur which makes a lot of the little-longer-than-usual scenes very engaging and that makes you wonder how the dialogue is gonna develop and conclude.

I normally don't care too much about the length of movies but I'm a little bit on the negative side with this one. That's mainly because of what I told myself halfway through the movie which was; "Ohhh, we're only halfway" instead of "Yeahhh, we're only halfway".

It's about a young writer who recently finished university. He must move back to his village from the city where he went to school. So his struggles start as he doesn't want to get used to the village life.