ÉVALUATION IMDb
6,6/10
38 k
MA NOTE
La pilote Amelia Wren et le scientifique James Glaisher se retrouvent dans une lutte héroïque pour leur survie tout en tentant de faire des découvertes à bord d'une montgolfière.La pilote Amelia Wren et le scientifique James Glaisher se retrouvent dans une lutte héroïque pour leur survie tout en tentant de faire des découvertes à bord d'une montgolfière.La pilote Amelia Wren et le scientifique James Glaisher se retrouvent dans une lutte héroïque pour leur survie tout en tentant de faire des découvertes à bord d'une montgolfière.
- Prix
- 11 nominations au total
Rodrig Andrisan
- Oxford Scientist
- (uncredited)
Inside the Movie Magic of 'The Aeronauts'
Inside the Movie Magic of 'The Aeronauts'
We fly behind the scenes of The Aeronauts to find out how director Tom Harper and his team brought the incredibly detailed world to life.
Histoire
Le saviez-vous
- AnecdotesJames Glaisher was a real English meteorologist who is remembered for his pioneering work as a balloonist. Between 1862 and 1866 he made numerous ascents to measure the temperature and humidity of the atmosphere at its highest levels. With his co-pilot aeronaut Henry Tracey Coxwell, they broke the world record for altitude on September 5, 1862. Coxwell is omitted from the film, and replaced with the fictional Amelia Wren. The Wren character draws some inspiration from various real women most significantly Sophie Blanchard, a French aeronaut who was the first woman to work as a professional balloonist between 1804 and her death in 1819.
- GaffesAnyone traveling in a balloon never feels the wind, or hears it, because they are advancing at the same speed. Wide shots depict this phenomenon, but in close-ups while aloft, both characters are shown affected by light gusts and the sound of the wind, scientifically inaccurate to the conditions of balloon travel.
- Citations
Amelia Wren: You don't change the world simply by looking at it, you change it through the way you choose to live in it.
- Générique farfeluDuring the opening credits, many of the Os in people's names slowly rise, as if symbolizing a balloon elevating.
- ConnexionsFeatured in CTV News at 11:30 Toronto: Episode dated 8 September 2019 (2019)
- Bandes originalesThe Aeronauts Waltz
Written by Jack Arnold
Performed by Warren Zielinski, Martyn Jackson, Robert Ames, David Cohen, Leon Bosch, Paul Edmund-Davies
Courtesy of Amazon Content Services LLC
Commentaire en vedette
This is an idea of alternative history. So the filmmakers decided to change a famous story of 2 old men in a balloon surviving a disaster to a male researcher and a female pilot surviving a greater disaster. I pretty much dislike all such pointless historical changes in movies. It's also a big disservice to women who actually did fulfil crucial roles during this flight and you could have had important wives, moms, emotional support roles here for actual historical women instead of putting a random historical woman from another time into this setting. It would actually be a huge service to history to depict real people doing what they did in history.
But I love science and history so I was interested in this movie anyhow. Also, it makes sense for a filmmaker to want to put an attractive actress into a balloon with a geeky scientist as you can create quite a potent romance subplot this way. Of course it has to be done right for the weird ahistorical decision to make any sense and unfortunately it's done badly for several reasons.
Firstly, the camera work is terrible much of the time. The balloon scenes have the camera flying around the characters as they are trying to create "action" by never keeping the camera steady. This shows how little they trust the plot, actors and story to deliver entertainment by itself. The director clearly felt the story was boring and needed some fake action this way. Which shows lack of director abilities.
The acting is terrible at times. The ahistorical change needed to make sense so there needed to be a strong connection between the 2 leads. Instead we get a male nerd character with bad acting. And as the guy is supposed to be autistic in some ways there is no connection to the attractive and charming female in his balloon. The scenes between them just feel off and weird as they stare at each other for long periods of time, but never seem to make any real connection. Not on a friendship or romantic level. They just seem to be in their own heads or bicker/make up. This also shows that the change to a female character unfortunately backfired in big ways as it made it all way more weird. Which is unfortunate because there is a strong story here somewhere they just didn't find. It also doesn't work that the man gets them into this huge trouble and she lets him. This makes it all feel like they were just being fools and deserved to suffer a bit.
There is also a friend sidekick character. He is the token minority character in this historical setting that lacked these people. An Indian researcher. He is actually very good and believable and his scenes work well. Then there is the sister who also is fairly good, but unfortunately her scenes largely consist of her whining and wanting her balloon sister to remarry. Which is fine it's just not that fascinating. It's all very fake "big research" stuff and the dialogues about how important the flight is are nonsensical bragging about "changing the world".
Then of course there is the HUGE issue of narration. The story leading up to the flight is told via random flashback scenes. So the first scene is them going up and then we have A TON of flashback sequences. You already know they found the money for it. So having half of the movie being about finding the money and courage for something that is already happening is rather pointless. Flashbacks rarely work well in movies and of course they don't work here, but at least those scenes are properly filmed and acted unlike the intolerable balloon scenes that can feel like nails on a chalkboard with the overly dramatic fake acting and creepy "friendship" where you feel like the man may at any point attack the woman. Which he of course does do at one point, but she uses words to calm him down - luckily for her it works otherwise he'd have killed them both. Also, the brilliant filmmakers decided that flashbacks were the way to go to tell her background story. So it's flashback disaster class.
Messy ahistorical movie. But the idea is really cool and the ahistorical setting could work if the writers were better. I don't trust the filmmakers or writers to make anything better. But the idea could for sure work in a remake. There is a certain charm in the idea I really adore. But I have to give it a 5 because overall it's dull and I wanted to shut it off at the end.
But I love science and history so I was interested in this movie anyhow. Also, it makes sense for a filmmaker to want to put an attractive actress into a balloon with a geeky scientist as you can create quite a potent romance subplot this way. Of course it has to be done right for the weird ahistorical decision to make any sense and unfortunately it's done badly for several reasons.
Firstly, the camera work is terrible much of the time. The balloon scenes have the camera flying around the characters as they are trying to create "action" by never keeping the camera steady. This shows how little they trust the plot, actors and story to deliver entertainment by itself. The director clearly felt the story was boring and needed some fake action this way. Which shows lack of director abilities.
The acting is terrible at times. The ahistorical change needed to make sense so there needed to be a strong connection between the 2 leads. Instead we get a male nerd character with bad acting. And as the guy is supposed to be autistic in some ways there is no connection to the attractive and charming female in his balloon. The scenes between them just feel off and weird as they stare at each other for long periods of time, but never seem to make any real connection. Not on a friendship or romantic level. They just seem to be in their own heads or bicker/make up. This also shows that the change to a female character unfortunately backfired in big ways as it made it all way more weird. Which is unfortunate because there is a strong story here somewhere they just didn't find. It also doesn't work that the man gets them into this huge trouble and she lets him. This makes it all feel like they were just being fools and deserved to suffer a bit.
There is also a friend sidekick character. He is the token minority character in this historical setting that lacked these people. An Indian researcher. He is actually very good and believable and his scenes work well. Then there is the sister who also is fairly good, but unfortunately her scenes largely consist of her whining and wanting her balloon sister to remarry. Which is fine it's just not that fascinating. It's all very fake "big research" stuff and the dialogues about how important the flight is are nonsensical bragging about "changing the world".
Then of course there is the HUGE issue of narration. The story leading up to the flight is told via random flashback scenes. So the first scene is them going up and then we have A TON of flashback sequences. You already know they found the money for it. So having half of the movie being about finding the money and courage for something that is already happening is rather pointless. Flashbacks rarely work well in movies and of course they don't work here, but at least those scenes are properly filmed and acted unlike the intolerable balloon scenes that can feel like nails on a chalkboard with the overly dramatic fake acting and creepy "friendship" where you feel like the man may at any point attack the woman. Which he of course does do at one point, but she uses words to calm him down - luckily for her it works otherwise he'd have killed them both. Also, the brilliant filmmakers decided that flashbacks were the way to go to tell her background story. So it's flashback disaster class.
Messy ahistorical movie. But the idea is really cool and the ahistorical setting could work if the writers were better. I don't trust the filmmakers or writers to make anything better. But the idea could for sure work in a remake. There is a certain charm in the idea I really adore. But I have to give it a 5 because overall it's dull and I wanted to shut it off at the end.
- JurijFedorov
- 23 nov. 2021
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Détails
Box-office
- Brut – à l'échelle mondiale
- 3 485 251 $ US
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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