Après la Seconde Guerre mondiale, un colonel britannique et son épouse sont affectés à Hambourg lors de la reconstruction d'après-guerre, mais des tensions surgissent avec l'allemand qui éta... Tout lireAprès la Seconde Guerre mondiale, un colonel britannique et son épouse sont affectés à Hambourg lors de la reconstruction d'après-guerre, mais des tensions surgissent avec l'allemand qui était auparavant propriétaire de la maison.Après la Seconde Guerre mondiale, un colonel britannique et son épouse sont affectés à Hambourg lors de la reconstruction d'après-guerre, mais des tensions surgissent avec l'allemand qui était auparavant propriétaire de la maison.
- Prix
- 1 nomination au total
Monika Foris Kvasnicková
- German Woman
- (as Monika Foris)
Histoire
Le saviez-vous
- AnecdotesKeira Knightley uses a body double for the nude scenes in the film. After giving birth to her daughter in May 2015, Knightley, who had been naked onscreen several times since she was sixteen, announced that she would no longer perform nude. She said that in the past, she didn't mind exposing her breasts because, "they're so small people really aren't that interested," but not any longer. "I have been comfortable earlier with more nudity than I am now. I have had a kid, I am in my 30s, I am very happy with my body," the actress revealed. "But I don't feel I need to get it out that much any more." She's added that she's fine if movies use body doubles, but she won't be stripping naked herself for any reason.
- GaffesThe flag or pennant of the British officer's Staff car is flown upside down.
- Citations
Lewis Morgan: None of this is how it was supposed to be, and yet here we are.
- Autres versionsFor the film's Australian release, the distributor chose to make reductions to stronger sexual detail in two scenes in order to obtain an M classification. The uncut version of the film was later released with an MA15+ classification for a DVD/Video release.
- ConnexionsFeatured in WatchMojo: Top 10 Failed Oscar Bait Movies of 2019 (2020)
Commentaire en vedette
"The Aftermath" is based on the novel of the same name by Rhidian Brook and stars Keira Knightley, Alexander Skarsgård, and Jason Clarke in the lead roles. Set against the backdrop of a war-torn city, the film explores themes of loss, grief, love, and reconciliation in the aftermath of conflict.
One of the strengths of "The Aftermath" is its atmospheric setting. The film takes place in Hamburg, Germany, in 1946, just after the end of World War II. The devastated city, with its ruins and desolate landscapes, serves as a powerful backdrop for the characters' struggles and emotions. The production design and cinematography effectively capture the post-war era, creating a somber and melancholic atmosphere that adds depth to the story.
The performances in the film are exceptional. Keira Knightley delivers a compelling performance as Rachael Morgan, a grieving wife who arrives in Hamburg to join her husband, Lewis, played by Jason Clarke, who is a British colonel tasked with overseeing the city's reconstruction. Knightley portrays Rachael's inner turmoil with subtlety and emotional depth, capturing the complexities of her character as she grapples with her grief, guilt, and conflicting emotions.
Alexander Skarsgård is also impressive as Stefan Lubert, a German architect who lost his wife during the war and now works for Lewis. Skarsgård brings a quiet intensity to his role, displaying a range of emotions as Stefan forms a bond with Rachael, leading to a complicated romantic relationship that adds tension to the story.
The film's screenplay, adapted by Joe Shrapnel and Anna Waterhouse, delves into the aftermath of war and the challenges of reconciliation. It explores the complexities of human emotions, the scars left by war, and the struggle to move forward amidst grief and guilt. The film also delves into the tensions between the British and the Germans, as well as the conflicts that arise within Rachael and Lewis' marriage as they try to navigate their strained relationship in the aftermath of war.
Visually, "The Aftermath" is stunning. The film's period-accurate costumes, set designs, and cinematography effectively transport the audience to the post-war era. The contrast between the destruction of the city and the beauty of its surroundings creates a visually captivating experience that enhances the storytelling.
However, one criticism of the film is that the pacing can be slow at times, which may impact the engagement of some viewers. Additionally, some may find the romantic storyline between Rachael and Stefan somewhat predictable and formulaic.
Overall, "The Aftermath" is a beautifully crafted period drama that offers a poignant exploration of love, loss, and healing in the aftermath of war. The performances, particularly from Knightley and Skarsgård, are strong, and the film's atmospheric setting and visual aesthetics add depth to the story. Despite some pacing issues and familiar romantic tropes, "The Aftermath" is a thought-provoking film that delves into the complexities of human emotions and the aftermath of conflict.
One of the strengths of "The Aftermath" is its atmospheric setting. The film takes place in Hamburg, Germany, in 1946, just after the end of World War II. The devastated city, with its ruins and desolate landscapes, serves as a powerful backdrop for the characters' struggles and emotions. The production design and cinematography effectively capture the post-war era, creating a somber and melancholic atmosphere that adds depth to the story.
The performances in the film are exceptional. Keira Knightley delivers a compelling performance as Rachael Morgan, a grieving wife who arrives in Hamburg to join her husband, Lewis, played by Jason Clarke, who is a British colonel tasked with overseeing the city's reconstruction. Knightley portrays Rachael's inner turmoil with subtlety and emotional depth, capturing the complexities of her character as she grapples with her grief, guilt, and conflicting emotions.
Alexander Skarsgård is also impressive as Stefan Lubert, a German architect who lost his wife during the war and now works for Lewis. Skarsgård brings a quiet intensity to his role, displaying a range of emotions as Stefan forms a bond with Rachael, leading to a complicated romantic relationship that adds tension to the story.
The film's screenplay, adapted by Joe Shrapnel and Anna Waterhouse, delves into the aftermath of war and the challenges of reconciliation. It explores the complexities of human emotions, the scars left by war, and the struggle to move forward amidst grief and guilt. The film also delves into the tensions between the British and the Germans, as well as the conflicts that arise within Rachael and Lewis' marriage as they try to navigate their strained relationship in the aftermath of war.
Visually, "The Aftermath" is stunning. The film's period-accurate costumes, set designs, and cinematography effectively transport the audience to the post-war era. The contrast between the destruction of the city and the beauty of its surroundings creates a visually captivating experience that enhances the storytelling.
However, one criticism of the film is that the pacing can be slow at times, which may impact the engagement of some viewers. Additionally, some may find the romantic storyline between Rachael and Stefan somewhat predictable and formulaic.
Overall, "The Aftermath" is a beautifully crafted period drama that offers a poignant exploration of love, loss, and healing in the aftermath of war. The performances, particularly from Knightley and Skarsgård, are strong, and the film's atmospheric setting and visual aesthetics add depth to the story. Despite some pacing issues and familiar romantic tropes, "The Aftermath" is a thought-provoking film that delves into the complexities of human emotions and the aftermath of conflict.
- slak96u
- 13 avr. 2023
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Sau Thế Chiến
- Lieux de tournage
- Prague, République tchèque(Karlovo Namesti)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 1 618 497 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 56 419 $ US
- 17 mars 2019
- Brut – à l'échelle mondiale
- 9 215 591 $ US
- Durée1 heure 48 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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