Sam, intelligent mais sans but précis, trouve un soir une femme mystérieuse nageant dans la piscine de son appartement. Le lendemain matin, elle disparaît. Sam traverse Los Angeles pour la r... Tout lireSam, intelligent mais sans but précis, trouve un soir une femme mystérieuse nageant dans la piscine de son appartement. Le lendemain matin, elle disparaît. Sam traverse Los Angeles pour la retrouver et découvre une conspiration étrange.Sam, intelligent mais sans but précis, trouve un soir une femme mystérieuse nageant dans la piscine de son appartement. Le lendemain matin, elle disparaît. Sam traverse Los Angeles pour la retrouver et découvre une conspiration étrange.
- Prix
- 3 victoires et 9 nominations au total
Wendy Vanden Heuvel
- Topless Bird Woman
- (as Wendy Vaden Hueval)
Deborah Geffner
- Mom
- (voice)
Jeannine Cota
- Botox Reporter
- (as Jennine Cota)
Kayla DiVenere
- Sevence Kid #3
- (as Kayla Di Venere)
Histoire
Le saviez-vous
- AnecdotesThe scenes with Sarah (Riley Keough) in the swimming pool are almost exact recreations of scenes from Marilyn Monroe's last film, Something's Got to Give (1962), which was never completed due to her sudden unexpected death. The footage from that film can be found online.
- GaffesWhen he leaves the bar to go to the crypt downstairs, he forgets the free record, but in the next scene at the table downstairs, he has the record.
- Générique farfeluThe final credits contain a card in code, with the key "b=a" in the bottom right corner. Once decoded, the card reads: "A David Robert Mitchell film: Under the Silver Lake."
- ConnexionsFeatured in Half in the Bag: Under the Silver Lake (2019)
- Bandes originalesNever My Love
Performed by The Association
Written by Donald J. Addriel and Richard Addrisi (as Richard P. Addriel)
Courtesy of Warner Brothers Inc
By arrangement with Warner Music Group Film & TV Liceneing
Commentaire en vedette
Finally released in my neck of the woods, A24's Under the Silver Lake starts off 2019 with a bang; an ambitious, labyrinthine, and transporting treat for all human senses. Its colors exquisite, its music delightfully old-school, and its story wonderfully bizarre and original, I've a feeling I already have one of my entries on my 2019 list set.
It starts with the young and aimless L. A. resident Sam (Andrew Garfield), who sees a mysterious woman played by Riley Keough at the apartment complex swimming pool. Although he finds a friend and maybe a lover in the woman, he later finds that she's disappeared without trace alongside her flatmates. Wanting to get to the bottom of this sudden departure, Sam finds out more than he expected, including the woman's connection with the death of a local millionaire, a recent series of dog killings, a peculiar indie band called Jesus & The Brides of Dracula, a "Homeless King", and other things that seem to eerily correspond with the plot of a zine he's been reading.
The side characters are many but they all leave an impression. We meet the adorable but strange Balloon Girl (Grace van Patten, niece of Dick), an actress known as The Actress (Riki Lindhome), Sam's conspiracy nut friend (Patrick Fischler), another friend (Jimmi Simpson) with his head oft in the clouds, a hipster friend known simply as Man at Bar (Topher Grace), and many more. Some are given cameos before they become important to Sam's quest but they remain entertaining throughout.
The director is David Robert Mitchell of It Follows and the composer is Disasterpiece, who provided the Carpenter-inspired synths for that very same film (I recall not being too hot on his music in that film but I've changed my mind). Like It Follows, this movie has an old-fashioned feel, albeit in its own ways.
Characters in the film prefer to hear their music on vinyl, play their games on a Nintendo Entertainment System, and get their porn from Playboy. Someone categorized this film as "hipster noir" and I can sort of see why.
This is an especially great film if you're into mysteries, urban legends, and conspiracy theories. It touches on everything from creatures said to lurk around Los Angeles at night, to secret shelters, to messages hidden within our music, to the idea that all of said music - whether it is rebellious or conformist, regardless of generation - was all masterminded by one person to shape our culture. On top of that is the directing and camera work; the clever, often Wes Anderson-like compositions as well as the long takes that involve many actors, extras and locations at once.
Under the Silver Lake is mystifying, to be sure, and some may be disappointed at its lack of answers. However, it is an original (yet classical) and at times mind-blowing film, even to those who aren't exactly conspiracy theorists. Those who end up liking it, as per my estimation, will end up REALLY liking it.
It starts with the young and aimless L. A. resident Sam (Andrew Garfield), who sees a mysterious woman played by Riley Keough at the apartment complex swimming pool. Although he finds a friend and maybe a lover in the woman, he later finds that she's disappeared without trace alongside her flatmates. Wanting to get to the bottom of this sudden departure, Sam finds out more than he expected, including the woman's connection with the death of a local millionaire, a recent series of dog killings, a peculiar indie band called Jesus & The Brides of Dracula, a "Homeless King", and other things that seem to eerily correspond with the plot of a zine he's been reading.
The side characters are many but they all leave an impression. We meet the adorable but strange Balloon Girl (Grace van Patten, niece of Dick), an actress known as The Actress (Riki Lindhome), Sam's conspiracy nut friend (Patrick Fischler), another friend (Jimmi Simpson) with his head oft in the clouds, a hipster friend known simply as Man at Bar (Topher Grace), and many more. Some are given cameos before they become important to Sam's quest but they remain entertaining throughout.
The director is David Robert Mitchell of It Follows and the composer is Disasterpiece, who provided the Carpenter-inspired synths for that very same film (I recall not being too hot on his music in that film but I've changed my mind). Like It Follows, this movie has an old-fashioned feel, albeit in its own ways.
Characters in the film prefer to hear their music on vinyl, play their games on a Nintendo Entertainment System, and get their porn from Playboy. Someone categorized this film as "hipster noir" and I can sort of see why.
This is an especially great film if you're into mysteries, urban legends, and conspiracy theories. It touches on everything from creatures said to lurk around Los Angeles at night, to secret shelters, to messages hidden within our music, to the idea that all of said music - whether it is rebellious or conformist, regardless of generation - was all masterminded by one person to shape our culture. On top of that is the directing and camera work; the clever, often Wes Anderson-like compositions as well as the long takes that involve many actors, extras and locations at once.
Under the Silver Lake is mystifying, to be sure, and some may be disappointed at its lack of answers. However, it is an original (yet classical) and at times mind-blowing film, even to those who aren't exactly conspiracy theorists. Those who end up liking it, as per my estimation, will end up REALLY liking it.
- TheVictoriousV
- 16 janv. 2019
- Lien permanent
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- How long is Under the Silver Lake?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Under the Silver Lake
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 46 083 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 35 270 $ US
- 21 avr. 2019
- Brut – à l'échelle mondiale
- 2 053 469 $ US
- Durée2 heures 19 minutes
- Couleur
- Rapport de forme
- 2.39:1
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What is the streaming release date of Sous le Silver Lake (2018) in Canada?
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