Lorsque le volcan endormi de l'île commence à rugir, Owen et Claire s'organisent pour sauver les dinosaures restants de l'extinction.Lorsque le volcan endormi de l'île commence à rugir, Owen et Claire s'organisent pour sauver les dinosaures restants de l'extinction.Lorsque le volcan endormi de l'île commence à rugir, Owen et Claire s'organisent pour sauver les dinosaures restants de l'extinction.
- Prix
- 5 victoires et 26 nominations au total
Histoire
Le saviez-vous
- AnecdotesFive animatronic dinosaurs were created for this movie, unlike Monde jurassique (2015), which only featured one. More animatronics were used due to the many various and closer interactions actors had with the dinosaurs. One scene was when Bryce Dallas Howard rode atop the sedated T-Rex.
- Gaffes(at around 1h 30 mins) Multiple human characters are sedated with animal tranquilizers, with Wu specifically naming the particular narcotic used as carfentanil at one point. Carfentanil is extremely potent and has a lethal human dose in the micrograms, meaning any human injected with a dinosaur-sized dosage of carfentanil should have experienced a quick and fatal respiratory failure. Wu and Owen recover fairly quickly and suffer no lingering side effects. Because the tranquilizer is so potent, real-world veterinarians who sedate heavy animals like elephants must be accompanied by assistants who can administer naloxone (the antidote) and provide artificial respiration.
- Citations
Senator Sherwood: Do these animals deserve the same protection given to other species? Or should they just be left to die?
- Générique farfeluPost-credits scene: Pteranodons are shown flying on the Las Vegas Strip.
- Autres versionsThe Italian version has three scenes trimmed for violence before submitting the film to the local censorship commissions. These are: 1) T-Rex inside a cage swallowing a goat 2) Indoraptor swallowing the bitten-off hand of Ken Wheatley) Ted Levine and then roaring his hat off. 3) T-Rex and Carnosaur ripping in two the body of Eli Mills (Rafe Spall)
- ConnexionsFeatured in Half in the Bag: 2017 Movie Catch-up: Part 1 (2018)
- Bandes originalesDon't Look Now
Written by John Fogerty (as John Cameron Fogerty)
Performed by Creedence Clearwater Revival
Courtesy of Fantasy Records, a division of Concord Music
Commentaire en vedette
For decades, movie dinosaurs were realised either by some form of puppetry or stop motion animation. Then, in 1993, Steven Spielberg's Jurassic Park proved to be a game changer, amazing audiences with realistic prehistoric monsters created inside a computer. The problem since then has been in delivering that 'wow factor' - how can Hollywood keep on thrilling audiences when Spielberg's original set the bar so high? To be honest, I don't think they've found the answer yet.
The special effects in Jurassic World: Fallen Kingdom are technically brilliant, but the film doesn't really do anything that we haven't seen before, making the film as a whole yet another underwhelming experience. In desperation, the film-makers have resorted to more outrageous set-pieces, as well as inventing bigger and badder dinosaurs that never actually existed, all of which requires way too much suspension of disbelief.
And talking of pushing the boundaries of believability too far, the notion that velociraptors were intelligent enough to be trained is quite preposterous: they had pea brains, experts rating their intelligence on a par with a rabbit. Anyone stupid enough to try and become a veloci-whisperer would wind up as a meal for the ravenous lizard (except, of course, for the fact that velociraptors were, in reality, only the size of a large chicken!).
Other things that had me rolling my eyes: Chris Pratt becoming an MMA fighter to plough his way through countless bad guys; a dinosaur that pretends to be asleep to catch someone off-guard; velociraptor Blue knowing only to attack the villains; the transportation of numerous ginormous dinosaurs to a mansion in the US without the knowledge of the authorities; and obligatory child Maisie (Isabella Sermon) ultimately releasing the captured beasts into the wild because she feels sorry for them. Duh!
5.5/10 for the special effects, rounded down to 5 for annoying comedy-relief tech-geek Franklin Webb (Justice Smith) and for Toby Jones. There's never an excuse for Toby Jones.
The special effects in Jurassic World: Fallen Kingdom are technically brilliant, but the film doesn't really do anything that we haven't seen before, making the film as a whole yet another underwhelming experience. In desperation, the film-makers have resorted to more outrageous set-pieces, as well as inventing bigger and badder dinosaurs that never actually existed, all of which requires way too much suspension of disbelief.
And talking of pushing the boundaries of believability too far, the notion that velociraptors were intelligent enough to be trained is quite preposterous: they had pea brains, experts rating their intelligence on a par with a rabbit. Anyone stupid enough to try and become a veloci-whisperer would wind up as a meal for the ravenous lizard (except, of course, for the fact that velociraptors were, in reality, only the size of a large chicken!).
Other things that had me rolling my eyes: Chris Pratt becoming an MMA fighter to plough his way through countless bad guys; a dinosaur that pretends to be asleep to catch someone off-guard; velociraptor Blue knowing only to attack the villains; the transportation of numerous ginormous dinosaurs to a mansion in the US without the knowledge of the authorities; and obligatory child Maisie (Isabella Sermon) ultimately releasing the captured beasts into the wild because she feels sorry for them. Duh!
5.5/10 for the special effects, rounded down to 5 for annoying comedy-relief tech-geek Franklin Webb (Justice Smith) and for Toby Jones. There's never an excuse for Toby Jones.
- BA_Harrison
- 12 févr. 2022
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Jurassic World: Fallen Kingdom
- Lieux de tournage
- Cragside, Rothbury, Northumberland, Angleterre, Royaume-Uni(Exterior shots of Lockwood's mansion)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 170 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 417 719 760 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 148 024 610 $ US
- 24 juin 2018
- Brut – à l'échelle mondiale
- 1 310 469 037 $ US
- Durée2 heures 8 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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