Le Japon est plongé dans le chaos après l'apparition d'un monstre géant.Le Japon est plongé dans le chaos après l'apparition d'un monstre géant.Le Japon est plongé dans le chaos après l'apparition d'un monstre géant.
- Prix
- 13 victoires et 10 nominations au total
Histoire
Le saviez-vous
- AnecdotesDirector Hideaki Anno told the actors to speak faster than usual so that they would resemble actual politicians and bureaucrats, citing Le réseau social (2010) as a reference and warning he would cut the take if they spoke too slowly.
- GaffesThe drug that the government uses to kill Godzilla is described as something that will "disable his internal cooling system". After the drug is used at the end, Godzilla freezes. If the drug was supposed to disable his internal cooling system, it would have overheated him, not frozen him. But it's a bit more complex than that... In fact, in the movie the drug actually does manage to disable Godzilla's cooling system, but in stead of overheating him this triggers a SCRAM-shutdown (=Safety Control Rods Activation Mechanism) as a kind of involuntarily overreaction-thus freezing him in the procedure. By freezing himself temporarily, Godzilla is able to survive this potentially critical trauma.
- Citations
Hiromi Ogashira, Deputy Director of Nature Conservation Bureau: Man is more frightening than Gojira.
- Générique farfeluThe Toho logo appears as the 1950s color version to homage Godzilla (1954)'s era.
Godzilla's stomping and roar is heard, which also happened in Godzilla (1954).
- Bandes originalesPersecution of the Masses
Written by Shirô Sagisu
Lyrics by Mike Wyzgowski
Soprano vocals performed by Catherine Bott
Alto and Mezzo-Soprano vocals performed by Deborah Miles-Johnson
Tenor vocals performed by Andrew Busher
Bass vocals performed by Michael George
Orchestra by London Studio Orchestra
Commentaire en vedette
The film takes a somber, serious tone as to what would happen if Japan were attacked -- in this case, by a seemingly unstoppable foe.
At present in Japan, there is an ongoing debate as to whether or not Japan should amend it's constitution to allow for an offensive military and this Godzilla film plays to exactly how powerless Japan would be in making it's own decisions during an attack of any kind. The reality is that the Japanese Prime Minister would have to ask for permission from the United States President before making an offensive move against a foreign threat and this film plays to that hard reality.
This new Godzilla starts out as an homage to its former man in a monster suit so that when you first see Godzilla, you'll disbelieve what you're seeing, but this Godzilla evolves into something majestic and utterly awe inspiring in its power.
What's more, this film makes it clear people die. In the Japanese release there's a lot of word play about how the government officials up high (on the fifth floor) make decisions that get passed down to people on lower floors that eventually hurt the people. I'm not sure how much will be translated, but the film is deliberately showing the disconnect between the political and day to day realities.
Overall, the performances are good. There is one character who they, for whatever reason, decided to make speak English in odd an inappropriate times.
This isn't a film for US audiences. The aesthetics will turn off a lot of non-Japanese young people accustomed to CG reality. But if you're open to learning about another culture, this is an excellent film, one of the best kaiju-films you'll ever see.
At present in Japan, there is an ongoing debate as to whether or not Japan should amend it's constitution to allow for an offensive military and this Godzilla film plays to exactly how powerless Japan would be in making it's own decisions during an attack of any kind. The reality is that the Japanese Prime Minister would have to ask for permission from the United States President before making an offensive move against a foreign threat and this film plays to that hard reality.
This new Godzilla starts out as an homage to its former man in a monster suit so that when you first see Godzilla, you'll disbelieve what you're seeing, but this Godzilla evolves into something majestic and utterly awe inspiring in its power.
What's more, this film makes it clear people die. In the Japanese release there's a lot of word play about how the government officials up high (on the fifth floor) make decisions that get passed down to people on lower floors that eventually hurt the people. I'm not sure how much will be translated, but the film is deliberately showing the disconnect between the political and day to day realities.
Overall, the performances are good. There is one character who they, for whatever reason, decided to make speak English in odd an inappropriate times.
This isn't a film for US audiences. The aesthetics will turn off a lot of non-Japanese young people accustomed to CG reality. But if you're open to learning about another culture, this is an excellent film, one of the best kaiju-films you'll ever see.
- cteavin-1
- 29 juill. 2016
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Détails
Box-office
- Brut – États-Unis et Canada
- 1 918 403 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 458 342 $ US
- 16 oct. 2016
- Brut – à l'échelle mondiale
- 78 053 145 $ US
- Durée2 heures
- Couleur
- Rapport de forme
- 2.39 : 1
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