Hello, My Name Is Doris

This is a great example of ultrafine filmmaking that simultaneously courts convention, and then proceeds to transcend it.

It starts up as straight-up storytelling bolstered by a focus on character/scenario development, and winds up being quite close to mythic. Doris starts out as a "character", but ends up as a goddess. That's a laudable achievement for film.

This flick, more than many, gets my inner wheels turning, pondering the production process that brought together so many fine talents to produce such a fine film product. After watching so many hi-tech, meticulous productions that skimp on narrative/mythic depth, it's nice to see a mid-tech product that really does deliver the goods.

Check it out.