This film is the true story of Neil Baldwin, a man diagnosed with learning difficulties as a child but one who counts royalty and bishops among his close friends, has connections across the world of English football, was given an honorary degree by Keele University, and worked as kit man for Stoke City. I guess to deliver this film there were many ways that the film could have gone, but it was a very wise decision to make the film very much in the style of Neil himself – gentle, unassuming, self-assured, and totally unthreatening. The story opens with Neil abandoned by his circus employer, although hardly put out by it, he simply walks to a church where he is able to get help – not by charm or force, but just by an apparent lack of awareness of "normal" society.
This continues through the film and we see someone who just put his mind to things, decided he would do something, and did it. It is a story that is very well told by the film because it manages to be uplifting, funny, sad, hopeful, and genuinely warming to watch. It is not that he deserves great awards or knighthoods as some have suggested, but there is certainly something cheering about a life well lived without seemingly any trace of malice, spite or harm in the man's body. This gentle, honest approach extends to my favorite device of the film, which is to integrate the real Baldwin and the real Lou Macari into the film, to have them sit with the actors while the actors are in character; this device works surprisingly well, not only because it lets us see that us Baldwin really does seem to be the person that we are told, but also so that Baldwin can contribute directly his views on the thing we just saw. It sounds like it shouldn't work, but it works tremendously well.
A big part of it working is that Toby Jones is excellent. He is wonderfully human, determined, and very much in keeping with a simple man with determination and no ill-will. To consider what some actors would do with a "learning difficulties" character, Jones makes it a base for his character but never what or who he is playing; I particularly liked him staying in character while sharing the scene with the real Baldwin – it not only showed how well the character was being delivered, but it also doubled up on the warming effect and gave an unusual device of getting inside the character's head at that moment. The supporting cast are all very good, but the film belongs to Jones and Baldwin.
You will have heard many good things about this film, and maybe it is a bit over-hyped, but that is not to say that it isn't really good. It is a gentle, unassuming little film that will surprise you by how much it does and how well it does it – again, just like Baldwin himself.
