Crimes of Fashion: Killer Clutch

Let's see: an American fashion psychologist with no detecting background, who does not speak a word of French, goes to Paris for the first time in her life and manages to solve a crime. Meanwhile the hirsute detective, supposedly in charge, ineptly bumbles around and allows her to meddle in in official police matters. Seems like the perfect plot for a novel Pink Panther movie. Unfortunately, this was intended as a serious film, not a farce.

First of all, what the heck is a fashion psychologist? Then, how can a total stranger, unable to speak the language, easily navigate through Paris, even its unseemly places, and effectively question all possible murder suspects?

And, why would all of them so easily oblige, when she has neither the authority, nor the language ability to do so? In addition, why would the policeman in charge allow such person, unknown to him, to do it and even share information with her? Or, why should the French police always be two steps behind such an unlikely sleuth?

Again, Inspector Clouseau comes to mind, which is not a compliment for French Police and the character viewers are supposed to admire as the charming hero of the production.

Gilles Marini in his role is made to look like an uncouth idiot and Lauren acts as a presumptuous brat. Personally, I saw no reason to enjoy their interaction, though I guess they were made for each other. Hallmark shows no mercy for the faithful viewers. The end of the production clearly indicates that sequels are planned.