What a bizarre little movie. Lacey Chabert plays a recently-jilted woman on a transatlantic flight full of weirdos. The airline has a logo very similar to that of Aerosmith, which amused me. There's a mystery about a disappearing passenger she made out with after knowing for five minutes as well as a plot about a brotherhood of terrorists...or something like that.
The quality of the acting varies. Some I'm sure were intentionally eccentric (Betsy Russell, Veronica Cartwright). Others not so sure (Bo Svenson, Will Kemp). Then there's the outright terrible (Drew Seeley, David Lipper). Chabert does fine and portrays her character as a little emotionally unstable which actually adds an extra layer of interesting to the proceedings. There's a sense of disquiet about it all early on and this is in large part due to her character being so...off. About midway through it becomes a slightly more traditional Turbulence or Flight Plan type of air thriller. But the moments of weird never go away, as the bizarre supporting cast keeps popping up like hiccups in the plot. Just as Chabert is investigating her little mystery on board the plane, here comes Betsy Russell telling her to sit down for the millionth time or some random other guy I don't know the name of who seemed to only be in the movie so he could be a momentary red herring. Chabert even refers to him as "that guy" so I'm not sure what the heck his character's name is.
It's a movie filled with offbeat characters. A crazy bearded guy who seems obsessed with Lacey at the airport only to disappear from the movie altogether, a rude stewardess with a drinking problem, a boyish steward fresh out of acting school who never seems to blink, a kooky old lady who claims she's an empath, a little blonde girl and her Hispanic nanny, a fat guy who doesn't want anybody sitting next to him, a supposed Interpol agent, and a mysterious Brit who seduces our heroine with ease. "Heroes" fans might enjoy seeing Ando (James Kyson) playing an airline employee who doesn't seem to know the meaning of personal space.
The confrontation where Chabert learns the truth behind the mystery is risibly directed -- with the camera zooming in & out, jerking all around while the bad guy does all of his acting with his eyebrows. A character chases another in slow speed and inexplicably trips over a shoe with unintentionally comical results. Just when you think it's all over, look out -- there's a hilariously cheesy cat and busty mouse sequence where Lacey fulfills her cleavage quota that, if not already in her contract, should always be.
I want to give them credit for making a weird movie but I'm not sure how much of it was intentional. There are moments where it seems like certain actors are winging it. Other moments where the director lingers on certain scenes like he forgot to yell cut. The hardest part in reviewing this movie is trying to figure out if the movie's oddness is intended or a byproduct of a poorly made film. At least it's like nothing else you'll see from Lifetime or LMN or whatever. If you have the patience it's definitely worth checking out and deciding for yourself.
