La posesión de Altair

Director Victor Dryere's horror proposal is gritty, tenacious and bold. Just when the audience was starting to get bored of the narc-crime and poverty Mexican themed films that populate international film festivals, comes a new perspective from a filmmaker that is a part of a new generation of Mexican auteurs. Even though some will say that it is too early to refer to Dryere as an auteur, the fact remains that through the (almost) 5 years it took him to finish this piece, he remained true to his voice and maintained creative control over his work; and it shows. The fact that he pushed the boundaries of a somewhat overused narrative tool (the found footage) by enhancing it with detailed sound design and unsettling music, makes the audience overlook the slow pace of the first act and the simplicity of the script, by taking us onto a full cinematic and sensory experience; well acted and thoroughly rendered. The result is more than fulfilling. Once the film is over and the enigmatic mystery that surrounds the characters is finally unveiled (won't spoil the ending for you), one is left with the satisfaction that comes with good storytelling, plain and simple. The moments of horror are few, but well constructed, both visually and aurally, with a quality that is uncommon in Mexican thrillers and horror films in general. And the fact that the film was actually shot in crude 8mm film gives it an authenticity that is rare and extraordinary. All in all a well constructed, powerful first work, which produces the sensation that this filmmaker is for real, and that we better be on the lookout for what he comes up with next.