I'm so proud of Nahas Hidayath for overcoming all the obstacles he faced as a filmmaker (including shelving his first film with Antony Varghese) and surprising us this Onam with a banger like RDX! Here's a pure action entertainer that we can add to the likes of Ajagajantharam and Thallumaala, with higher emotional stakes than both those films. The three leads - Robert (Shane Nigam), Dony (Antony Varghese), Xavier (Neeraj Madhav) - share great brotherly chemistry and that helps elevate even some of the ordinarily written scenes.
Nahas attributes distinct specialties to the fighting styles of each protagonist - something that, I felt, was picked up from Teenage Mutant Ninja Turtles - heck, we even have a character like Master Splinter (Babu Antony). Robert's kicks are crazy, Dony's punches are thunderous, and Xavier's good with nunchaku. Plus, when we have stunt masters Anbarivu on board, the action blocks are carefully designed, choreographed, and stylized. The introductory fight (during the flashback) is the only one that felt a bit out of place, and it's also because, at that point, I was only getting used to seeing Shane Nigam and Neeraj Madhav execute action the way they do in the rest of the film (whereas Antony Varghese had already proven his point!). Out of all the set pieces, my favourites include one that takes place on a boat, one inside a colony full of thugs, and the climactic showdown outside the hospital. The good thing is that the story necessitates the action, not the other way round.
The cinematography work also gets better with each set piece. Sam CS produces a riveting score that not only underlines the action, but also the breather scenes in between. The antagonist (Vishnu Agasthya) is splendidly portrayed and his viciousness is felt from the very first scene. The guy emanates a kind of naturally devilish charm that's been lacking in Malayalam actioner villains lately. Mahima Nambiar, who plays Robert's love interest, also does well. She even gets a whistle-worthy moment in the final act. Speaking of whistle-worthy moments, Babu Antony gets the best one in the entire film (a treat for us '90s kids).
Big thanks to Sophia Paul for bankrolling this venture, trusting Nahas and his team's conviction, and offering a great addition to the list of kickass Malayalam actioners!
