Mother-Daughter Exchange Club Part 2

After some misgivings with Part 1 of this daughter-swapping series from Girlfriends Films, I was more than satisfied with the developments of Part 2. It makes clear why this long-running property is so successful.

Story picks up with only a modest revisionism: in Part 1 shy Kaci Starr rejected the advances of Lynn LeMay, leaving us LeMay fans panting out there for some sexual release. But for Part 2 the youngster does a complete turnabout, and the Sapphic match-up of Lynn and Kaci is memorably arousing. Lynn's huge latter- day breasts, among the most voluminous ever featured in a Girlfriends feature, are a joy to behold and amazingly natural looking, as both she and Kaci spend a lot of time in breast-worship.

Original star Marie McCray as a daughter is absent, with the cast explaining away her missing in action status several times. Back is young Hayden Night, inexpressive in her sex scenes but given a whole lot to do here. She has sex with Magdalene St. Michaels, and returns later in the film for a fascinating threesome on the occasion of her one-month relationship with St. M. I like the fact that this XXX soap opera progresses and its twists are validated both sexually and dramatically.

The DVD box cover features an interesting topless shot of five women, and sure enough, the five-some meet up with Maggie in charge. Hayden serves as a sort of go-between cum match-maker, as young Leah Livingston is mated to the popular matriarch Nicole Moore. This particular sex scene starts as a threesome, but Hayden discreetly exits early on, and in a well-shot and nuanced twist is seen later in the background planting a huge strap-on dildo on the dresser, which Nicole will put to good use anon. The Leah/Nicole scene is tremendous, and features some quiet background music, unusual in the Girlfriends "silence is golden" format, with Narciso Yepes' classic guitar theme from the great Rene Clement movie "Forbidden Games" (one of my all-time favorites) creeping in on the soundtrack, followed in the final vignette by use of a Keith Jarrett-styled down home solo piano.

Finale is a full-scale threesome, with a reluctant daughter of Nicole's named Sandy sandwiched in bed between Hayden and Maggie. This well- choreographed lesbian action is also effective in that it doesn't disrupt the ongoing Maggie/Hayden love-fest, because in the film's context they are just sharing, not being unfaithful. Sandy does a fine job here, but apparently never got her XXX career off the ground.