CALIFICACIÓN DE IMDb
8.8/10
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TU CALIFICACIÓN
Un genio musical desfigurado se enamora de Christine Daaé, una cantante de ópera a la que el entrena. Usando sus conocimientos, el manipula y aterroriza a los ocupantes de la ópera para cump... Leer todoUn genio musical desfigurado se enamora de Christine Daaé, una cantante de ópera a la que el entrena. Usando sus conocimientos, el manipula y aterroriza a los ocupantes de la ópera para cumplir sus deseos.Un genio musical desfigurado se enamora de Christine Daaé, una cantante de ópera a la que el entrena. Usando sus conocimientos, el manipula y aterroriza a los ocupantes de la ópera para cumplir sus deseos.
Stephen John Davis
- Don Attilio ("Il Muto")
- (as Stephen Davis)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaColm Wilkinson, (one of four Phantoms performing encore) was in fact the first ever Phantom, who originated this role. It happened in 1985 at Sydmonton Festival - typical place of Andrew's Webber Lloyd previews of his musicals. Wilkinson might had been first Phantom on stage, but later that year, he had chosen to be first Jean Valjean in Les Miserables, another role played by Ramin Karimloo.
- ErroresRamin Karimloo's tattoo (on his wrist) is visible in one of the close-ups during "Music of the Night".
- Citas
Raoul: [singing] I love her! Does that mean nothing? I love her. Show some compassion!
The Phantom: The world showed no compassion to me!
- ConexionesFollowed by Love Never Dies (2012)
Opinión destacada
A fantastic show very much diminished by the amateurish and highly distracting video direction. This video production suffers from the impulse of "we paid to have all these cameras and operators on site so we better damn well use them, even if it means ruining the home viewing experience".
Director Nick Morris' shot selection was weak, the frenetic tempo of his camera-to-camera takes overshadows the stage direction. He manages to miss key actor entrances because he has a close-up on another actor. Other times he goes immediately to a close-up for what should be a subtle entrance. This is most obvious with the Phantom's entrance after Wishing You Were Here Again. Morris commits other unforgivable shot selections like fast cutting close-ups of the destruction of the chandelier rather than giving us the more awe-inspiring audience perspective.
And don't get me started on his coverage of "Masquerade". One of my favorite scenes on the show is completely ruined by Morris' quick cutting between medium and close-ups of actors, rarely showing us the stage-wide view of the choreography, which is so essential to the power of the scene.
The action on Angel of Music is almost impossible to follow, and so on. As I said, abysmal. I've seen better directing of local cable channel dramatic productions.
This is a stage play that is meant to be seen from farther away than the 6" from the Phantom's face this director felt we needed. Most certainly someone should have realized that close-ups of actors that included the LED scenic backdrop was just a bad idea. It looks terrible.
I've seen this show live 3 times but never from the most expensive seats. This video production could have given us the best seats in the house but instead chose to cut quickly between various odd angles that the audience would and should never see.
10 stars for the stage production and 3 for the video production.
Director Nick Morris' shot selection was weak, the frenetic tempo of his camera-to-camera takes overshadows the stage direction. He manages to miss key actor entrances because he has a close-up on another actor. Other times he goes immediately to a close-up for what should be a subtle entrance. This is most obvious with the Phantom's entrance after Wishing You Were Here Again. Morris commits other unforgivable shot selections like fast cutting close-ups of the destruction of the chandelier rather than giving us the more awe-inspiring audience perspective.
And don't get me started on his coverage of "Masquerade". One of my favorite scenes on the show is completely ruined by Morris' quick cutting between medium and close-ups of actors, rarely showing us the stage-wide view of the choreography, which is so essential to the power of the scene.
The action on Angel of Music is almost impossible to follow, and so on. As I said, abysmal. I've seen better directing of local cable channel dramatic productions.
This is a stage play that is meant to be seen from farther away than the 6" from the Phantom's face this director felt we needed. Most certainly someone should have realized that close-ups of actors that included the LED scenic backdrop was just a bad idea. It looks terrible.
I've seen this show live 3 times but never from the most expensive seats. This video production could have given us the best seats in the house but instead chose to cut quickly between various odd angles that the audience would and should never see.
10 stars for the stage production and 3 for the video production.
- beeblebrox-2
- 7 sep 2019
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Andrew Lloyd Webber's The Phantom of the Opera at the Royal Albert Hall
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 5,274,923
- Tiempo de ejecución2 horas 17 minutos
- Color
- Relación de aspecto
- 1.78 : 1
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