Vi el brillo del televisor

Writer/director Jane Schoenbrun made a highly atmospheric little film a couple of years ago called ' We're All Going To The Worlds Fair' on a shoestring budget but the film left an inedible impression on me that I included it on my ten best of the year.

The follow up continues the same microscopic view of adolescence, loneliness and social exclusion that still retains the same wonderful wintry neon feel as the previous film. See also the classic 'It Follows' and ' Rivers Edge'-these all perfectly capture the inner feelings of the characters; bored teenagers in middle small town America caught in a mystery.

It is talky and slow and I get if some will be put off. I didn't take to the characters breaking the 'fourth wall' and start speaking directly to the camera; it felt like the audience had to be spoon fed exactly what the character is feeling.

The acting is excellent from Justice Smith and Brigette Lunday-Paine and young Ian Foreman as the young Owen. Bringing a vulnerable, isolated look on the faces. Is there a hint of abuse here?

I felt like I did in the 90s with 'Twin Peaks' where I wanted to dive straight into the TV set and be in the dark and magical small US town (there are lots of 'Lynchian' references here, not just the photography and sound but the musical interlude in the small bar) Like the similar 'Beau is Afraid' (ageing) this is a smart, extremely well done expressionist horror that I may not want to see again in a hurry but will stay in my mind for a long time.