CALIFICACIÓN DE IMDb
4.3/10
1.7 k
TU CALIFICACIÓN
Connor, un hombre cuya aburrida vida se transforma en un apasionante mundo de fantasía gracias a la seductora Marilyn.Connor, un hombre cuya aburrida vida se transforma en un apasionante mundo de fantasía gracias a la seductora Marilyn.Connor, un hombre cuya aburrida vida se transforma en un apasionante mundo de fantasía gracias a la seductora Marilyn.
- Dirección
- Guionista
- Elenco
Jeff Bouffard
- Sheriff
- (sin créditos)
Sheila Consiglia
- Sheriff
- (sin créditos)
Marilyn Swick
- Connor's workmate
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThe film explicitly references "The Postman Always Rings Twice" by James M. Cain several times. Lead actor Ray Nicholson is the son of Jack Nicholson, who starred in El cartero llama dos veces (1981).
- ErroresThe police car says South County Sherrif. South County is just a nickname, the actual county in Rhode Island is Washington County. The movie was filmed in Newport County, Rhode Island.
- ConexionesReferences El cartero llama dos veces (1946)
Opinión destacada
Follows similar story of 1981's Body Heat.
Could tell the director's decisions were aiming to have some sort of artistic value added but were questionable and fell short of the desired effect - odd transitions, meaningless scenes, forced music, and long scenes with dialogue that felt redundant failing to move the story forward.
Hard to root for or get attached to any of the characters - none of them felt real, all kind of forced stereotypes. Each of the main characters (Diane Kruger and Ray Nicholson) were equally mysterious, but didn't feel like any substance between them, just physical attraction. The dialogue and decisions they made felt more like a Hollywood creation than anything based on reality or logical thinking.
Side characters were pretty good. The boyfriend (Yousef Abu-Taleb) at the end stole the movie for me and felt like the only real character in entire story. Parole officer (Hank Azaria) was good, his intro scene playing the role of a no non-sense tough cop was over the top. The deputy (Fred Weller) was even more over the top, but felt more in-line with the spiteful, I am the law, kinda persona a cop on a power-trip gives off.
Entire time watching, felt like a different take on Body Heat. Want to again mention weird transitions - if the director.(Neil. LaBute) reads this, what are you doing??
Could tell the director's decisions were aiming to have some sort of artistic value added but were questionable and fell short of the desired effect - odd transitions, meaningless scenes, forced music, and long scenes with dialogue that felt redundant failing to move the story forward.
Hard to root for or get attached to any of the characters - none of them felt real, all kind of forced stereotypes. Each of the main characters (Diane Kruger and Ray Nicholson) were equally mysterious, but didn't feel like any substance between them, just physical attraction. The dialogue and decisions they made felt more like a Hollywood creation than anything based on reality or logical thinking.
Side characters were pretty good. The boyfriend (Yousef Abu-Taleb) at the end stole the movie for me and felt like the only real character in entire story. Parole officer (Hank Azaria) was good, his intro scene playing the role of a no non-sense tough cop was over the top. The deputy (Fred Weller) was even more over the top, but felt more in-line with the spiteful, I am the law, kinda persona a cop on a power-trip gives off.
Entire time watching, felt like a different take on Body Heat. Want to again mention weird transitions - if the director.(Neil. LaBute) reads this, what are you doing??
- badambowman
- 28 ago 2022
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Detalles
- Tiempo de ejecución1 hora 44 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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