Una mirada a las vidas de las determinadas mujeres de la familia Weston, quienes regresan a Oklahoma con motivo de una crisis familiar.Una mirada a las vidas de las determinadas mujeres de la familia Weston, quienes regresan a Oklahoma con motivo de una crisis familiar.Una mirada a las vidas de las determinadas mujeres de la familia Weston, quienes regresan a Oklahoma con motivo de una crisis familiar.
- Nominado a 2 premios Óscar
- 16 premios ganados y 66 nominaciones en total
Argumento
¿Sabías que…?
- TriviaFilming at the house took place in the fall. At times it was as chilly as 40 degrees outside. When the leaves around the house began to turn, the production crew painted them green. When the leaves began falling, computer-generated ones were added in post-production.
- ErroresThe sheriff's car bears an Oklahoma County license plate. Oklahoma County is about 2 1/2 hours away from Osage County.
- Citas
Barbara Weston: It's so surreal. Thank God we can't tell the future, we'd never get out of bed.
- ConexionesFeatured in 19th Annual Critics' Choice Movie Awards (2014)
- Bandas sonorasHinnom, TX
Written by Justin Vernon
Performed by Bon Iver
Courtesy of Jagjaguwar
By arrangement with Bank Robber Music
Opinión destacada
I've never seen the play on which this film is based so in a way it was good to come to this film really knowing nothing more than "people are saying this is good so maybe I should go see it". The plot sees a deeply dysfunctional family of strong-willed and vitriolic women coming back together in the wake of a family tragedy. Resentment, past hurts, bitterness and vitriol are the underlying themes as the family sits around the dinner table. I shan't say too much more than that – not because the plot is best left unknown (although it is) but more because there really isn't too much more actual plot to worry about and instead the film is more about the characters and a study of the family.
In some ways this is a bad thing and it does make the film feel long and rather lacking in a narrative drive. I can understand why many have found it dull and low on direction and focus but for me personally I thought that the strength brought about by this approach was just about enough to overcome the weaknesses inherent in it. That strength is simply in the way that it takes a very talented group of actresses, puts them together and gives them some really strong scenes to get their teeth into. Additionally, and I don't mean to be rude, but this group is of an age which Hollywood casting agents generally starts forgetting exists due to their age. As a result of this the film almost always engages in the moment or in any specific scene as we see instantly recognizable characters lash out at each other, playing out old patterns of hurt in a way that we are able to recognize them as "old patterns" even though we as viewers are here for the first time. So as a collection of scenes, the film is almost always working well – it is just when it has to come together that it doesn't do quite as well.
Despite this it is great to watch the cast go at it. Streep is great as usual and is utterly convincing as someone so engrained in patterns of behavior and carrying so much pain in her that it has affected everything – OK the cancer and the "eating pain" stuff may make it a bit too obvious, but even still she is good at what she has to do. Roberts is not quite on that level here but is still very strong while Nicholson and Lewis do well with big supporting characters. Martindale may not be as big a name (or role) but those that watch Justified already know she has presence and she holds her own here really well. The male cast are very much second fiddle but there are still good turns throughout from Cooper, Shepard, Cumberbatch, Mulroney and McGregor. The risk is that the cast feels too heavy with stars, but they are all so convincing that once they had been on screen for a little, I was more focused on the character than the career.
August Osage County is one of many films getting hyped up around the awards period and as with many films it is not as perfectly brilliant as you'll be told it is. The narrative does move but the film always seems happiest when it is just sitting and letting the family be themselves and as a result it does move slowly and perhaps the story lacks real impact. However, just as the film is happy, so are the cast and the strong individual scenes give plenty for the cast to work with, and they return the favor with a really strong ensemble feel that is engaging and convincingly laced with hurt and anger – and it is this that makes the film strong and worth a look.
In some ways this is a bad thing and it does make the film feel long and rather lacking in a narrative drive. I can understand why many have found it dull and low on direction and focus but for me personally I thought that the strength brought about by this approach was just about enough to overcome the weaknesses inherent in it. That strength is simply in the way that it takes a very talented group of actresses, puts them together and gives them some really strong scenes to get their teeth into. Additionally, and I don't mean to be rude, but this group is of an age which Hollywood casting agents generally starts forgetting exists due to their age. As a result of this the film almost always engages in the moment or in any specific scene as we see instantly recognizable characters lash out at each other, playing out old patterns of hurt in a way that we are able to recognize them as "old patterns" even though we as viewers are here for the first time. So as a collection of scenes, the film is almost always working well – it is just when it has to come together that it doesn't do quite as well.
Despite this it is great to watch the cast go at it. Streep is great as usual and is utterly convincing as someone so engrained in patterns of behavior and carrying so much pain in her that it has affected everything – OK the cancer and the "eating pain" stuff may make it a bit too obvious, but even still she is good at what she has to do. Roberts is not quite on that level here but is still very strong while Nicholson and Lewis do well with big supporting characters. Martindale may not be as big a name (or role) but those that watch Justified already know she has presence and she holds her own here really well. The male cast are very much second fiddle but there are still good turns throughout from Cooper, Shepard, Cumberbatch, Mulroney and McGregor. The risk is that the cast feels too heavy with stars, but they are all so convincing that once they had been on screen for a little, I was more focused on the character than the career.
August Osage County is one of many films getting hyped up around the awards period and as with many films it is not as perfectly brilliant as you'll be told it is. The narrative does move but the film always seems happiest when it is just sitting and letting the family be themselves and as a result it does move slowly and perhaps the story lacks real impact. However, just as the film is happy, so are the cast and the strong individual scenes give plenty for the cast to work with, and they return the favor with a really strong ensemble feel that is engaging and convincingly laced with hurt and anger – and it is this that makes the film strong and worth a look.
- bob the moo
- 6 feb 2014
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- August: Osage County
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 25,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 37,738,810
- Fin de semana de estreno en EE. UU. y Canadá
- USD 179,302
- 29 dic 2013
- Total a nivel mundial
- USD 74,188,937
- Tiempo de ejecución2 horas 1 minuto
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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