La increíble (y nunca antes contada) historia del ganador del Óscar Albert S. Ruddy, mientras estaba detrás de la producción de la legendaria película "El Padrino" (1972).La increíble (y nunca antes contada) historia del ganador del Óscar Albert S. Ruddy, mientras estaba detrás de la producción de la legendaria película "El Padrino" (1972).La increíble (y nunca antes contada) historia del ganador del Óscar Albert S. Ruddy, mientras estaba detrás de la producción de la legendaria película "El Padrino" (1972).
- Premios
- 3 premios ganados y 6 nominaciones en total
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Argumento
¿Sabías que…?
- TriviaWhen Al Ruddy meets Francis Ford Coppola to discuss The Godfather project, George Lucas is clearly in the background with several other individuals.
- ErroresThe show portrays Joe Gallo being released from prison, which happened in 1971, and then immediately cuts to Tommy Lucchese talking about how he served his time. But Tommy Lucchese died in 1967, so him being in the show at all past the first or second episode is factually incorrect.
- ConexionesFeatured in The Cinema Snob: Matilda (2022)
Opinión destacada
This series is done with so much love and reverence for the film that it's impossible not to like if you loved The Godfather, and who doesn't like that movie?
After a single episode, I was all in. It's the perfect mix of great acting, good story, and a fun script. I was dubious about this when I saw the trailer, but my doubts were gone almost from the beginning of episode one. The movie was larger than life, so a series about how the film came to be was definitely worth a shot.
I may come back and change this initial euphoria, but for now, this is one of the best things I've seen in a long while. I mean, come on! It's a series about the making of the most epic gangster movie and one of the best films ever made, and it has gangsters in it. What more could anyone want?
The scenes with Coppola and Mario Puzo are genius. They both make the process of writing look exciting, positively thrilling like I've never seen before.
One complaint, and it's major. There are WAY too many scenes shot in almost complete darkness. I am so fed up with this technique and for the life of me, I don't understand why directors think shooting in the dark is so cool. Just about every scene is shot in candlelight, an unlit room with light shining through a curtained window, a club or office as dark as a cave with visibility at about ten feet. If there is daylight, it's only to show characters walking into ill-lit rooms, or shadows playing a prominent role. Puzo and his wife sit in a dark kitchen. Couldn't he pay the electric bill? Turn on a light!
When Puzo sees the line at the bookstore the lighting was so bad that I could barely see anyone. Wasn't the whole point of the scene to show a mob? It was like people hiding in the dark. Why was this scene at night? It was a book signing. You can sign a book during the daylight hours and viewers might be able to see something instead of squinting at the screen.
If it were available, I would have watched the entire series in one night. This could be the best thing ever on TV. I almost want to tell viewers to wait until it's all available before beginning the series so as not to have the anguish of waiting for the next installment in what could be the best TV series ever-no kidding
If you would have told me beforehand that Giovani Ribisi plays Joe Colombo, I would have laughed, or at least been a bit skeptical. He's a stroke of pure brilliance in a series that is loaded with talent and great performances. I had a difficult time recognizing many of the actors because they were so far from anything they'd done before.
Another complaint I have is that we have to wait around until the end of June to see this through to the conclusion. I want it now! This reminds me of a true story. Back in about 1989, a group of friends were sitting in my living room ready to go out for the night when The Godfather came on the TV on some network station. We all promised that we'd go out after watching a few scenes. I mean, we'd all seen it a million times already. Well over an hour later, when Michael goes into the bathroom and comes out with the pistol, there was a message on the screen: To Be Continued Tomorrow.
We all said to heck with that, and someone went out to the video store to rent a copy so we could finish watching it for the 1,000,001 time. I don't remember what happened after that, but we probably went out to a bar and talked about the movie for the millionth time. The moral to this story is don't jerk people around by making them wait. Just hand over the product like they do at Netflix.
After a single episode, I was all in. It's the perfect mix of great acting, good story, and a fun script. I was dubious about this when I saw the trailer, but my doubts were gone almost from the beginning of episode one. The movie was larger than life, so a series about how the film came to be was definitely worth a shot.
I may come back and change this initial euphoria, but for now, this is one of the best things I've seen in a long while. I mean, come on! It's a series about the making of the most epic gangster movie and one of the best films ever made, and it has gangsters in it. What more could anyone want?
The scenes with Coppola and Mario Puzo are genius. They both make the process of writing look exciting, positively thrilling like I've never seen before.
One complaint, and it's major. There are WAY too many scenes shot in almost complete darkness. I am so fed up with this technique and for the life of me, I don't understand why directors think shooting in the dark is so cool. Just about every scene is shot in candlelight, an unlit room with light shining through a curtained window, a club or office as dark as a cave with visibility at about ten feet. If there is daylight, it's only to show characters walking into ill-lit rooms, or shadows playing a prominent role. Puzo and his wife sit in a dark kitchen. Couldn't he pay the electric bill? Turn on a light!
When Puzo sees the line at the bookstore the lighting was so bad that I could barely see anyone. Wasn't the whole point of the scene to show a mob? It was like people hiding in the dark. Why was this scene at night? It was a book signing. You can sign a book during the daylight hours and viewers might be able to see something instead of squinting at the screen.
If it were available, I would have watched the entire series in one night. This could be the best thing ever on TV. I almost want to tell viewers to wait until it's all available before beginning the series so as not to have the anguish of waiting for the next installment in what could be the best TV series ever-no kidding
If you would have told me beforehand that Giovani Ribisi plays Joe Colombo, I would have laughed, or at least been a bit skeptical. He's a stroke of pure brilliance in a series that is loaded with talent and great performances. I had a difficult time recognizing many of the actors because they were so far from anything they'd done before.
Another complaint I have is that we have to wait around until the end of June to see this through to the conclusion. I want it now! This reminds me of a true story. Back in about 1989, a group of friends were sitting in my living room ready to go out for the night when The Godfather came on the TV on some network station. We all promised that we'd go out after watching a few scenes. I mean, we'd all seen it a million times already. Well over an hour later, when Michael goes into the bathroom and comes out with the pistol, there was a message on the screen: To Be Continued Tomorrow.
We all said to heck with that, and someone went out to the video store to rent a copy so we could finish watching it for the 1,000,001 time. I don't remember what happened after that, but we probably went out to a bar and talked about the movie for the millionth time. The moral to this story is don't jerk people around by making them wait. Just hand over the product like they do at Netflix.
- leftbanker-1
- 27 abr 2022
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Пропозиція
- Locaciones de filmación
- Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Ángeles, California, Estados Unidos(New York street, San Gennaro Festival)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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