No moriré sola

Rape/revenge movies aren't supposed to be enjoyable. And this is not enjoyable but it's a great piece of film making and a great addition to the genre. For many, it may feel far too slow and even dull, but that's where the strength and power of the movie lies. As with Funny Games, the director refuses to rush through the mundane, forcing the viewer to acknowledge the reality simulated on the screen. An exploitation director wouldn't spend 3 minutes on burial, let alone on a long shot of it.

Adrián García Bogliano also takes defies convention by keeping the soundtrack minimal and ambient emphasizing the dull horror of not only the rapes, but of the revenge.

The huge accomplishment of this movie is in getting the words "subtle" and "rape/revenge movie" into the same sentence.