L'aube du monde

2008
1h 35min

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Hiam Abbass, Karim Saleh, and Hafsia Herzi in L'aube du monde (2008)

Agrega una trama en tu idiomaMastur and Zahra grew up in southern Iraq, between the Tigris and Euphrates rivers. Just after their marriage, the Gulf War broke out. Mastour was forcibly conscripted and sent to the front.... Leer todoMastur and Zahra grew up in southern Iraq, between the Tigris and Euphrates rivers. Just after their marriage, the Gulf War broke out. Mastour was forcibly conscripted and sent to the front. On the battlefield, he befriends Riad, a young Baghdadi soldier. Mortally wounded, Mastur... Leer todoMastur and Zahra grew up in southern Iraq, between the Tigris and Euphrates rivers. Just after their marriage, the Gulf War broke out. Mastour was forcibly conscripted and sent to the front. On the battlefield, he befriends Riad, a young Baghdadi soldier. Mortally wounded, Mastur makes Riad promise to look after Zahra once the war is over.

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6.9/10

273

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Premios
- 3 premios ganados y 3 nominaciones en total

Fotos6

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Conexiones
References Apocalipsis (1979)

Bandas sonoras
Hymn of the Big Wheel
Written by Robert Del Naja (as R. Del Naja), Grant Marshall (as G. Marshall), Andrew Vowles (as A.L.I. Vowles), Horace Andy (as H. Andy) and Neneh Cherry (as N. Cherry)
Performed by Massive Attack
© 1991 Island Music Ltd / Paddy Crusty LTD / Writers Designee
(P) 1991 Virgin Records Ltd
Courtesy of Universal Music Vision / Universal Music Publishing France and EMI VIRGIN Music Publishing France

Opiniones de usuarios8

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The tragedy of the Marsh Arabs

A robust art film directed with an unquestionable talent, Dawn of the World is a journey through the unexplored Marshlands of Iraq and a moving war film about the tragedy of the Marsh Arabs (everybody knows about the Golf War, but nobody knows about the massacre of the Marsh Arabs!) The story is harrowing and the presentation is graphic. Powerful material, powerfully rendered. The director alternates the horrors of war with occasional fairy tale-like images; together they imbue the film with an unapologetically disturbing quality that persists long after the credits roll. One must not describe the sequence at the end. It must unfold as a surprise. It is unutterably depressing, because history can never undo itself, and is with us forever.