CALIFICACIÓN DE IMDb
6.3/10
112 k
TU CALIFICACIÓN
Ambientada en un futuro cercano, cuando los órganos artificiales se pueden comprar, un hombre lucha por hacer los pagos de un corazón que ha comprado.Ambientada en un futuro cercano, cuando los órganos artificiales se pueden comprar, un hombre lucha por hacer los pagos de un corazón que ha comprado.Ambientada en un futuro cercano, cuando los órganos artificiales se pueden comprar, un hombre lucha por hacer los pagos de un corazón que ha comprado.
- Premios
- 2 nominaciones en total
Rafferty Law
- Young Remy
- (as Raff Law)
Argumento
¿Sabías que…?
- TriviaMoments before the filming of the Chinatown scene a crew member was approached by a local Chinese person who pointed out to him that all the neon signs with Chinese characters were upside down. A frantic rigging crew proceeded to flip all the signs while the shooting crew shot in the direction of the newly flipped signs.
- ErroresWhen Jake and Remy fight in the derelict apartment and Remy wins, he is wearing street clothes. But when, at the end of the film, he is shown on the stretcher attached to the Neural Network machine after, in reality, losing this fight with Jake, he is wearing the combat clothing that he wore in the Union headquarters building, which was when he was in a dream state.
- Créditos curiososAn advertisement screen for The Union appears at the end of the closing credits.
- Versiones alternativasThe Unrated version released on home video contains ~10 minutes of additional/alternative footage.
- ConexionesFeatured in The Rotten Tomatoes Show: Repo Men/The Bounty Hunter/The Runaways (2010)
- Bandas sonorasSway (Mucho Mambo)
Written by Norman Gimbel, Pablo Beltrán Ruiz, Luis Demetrio (as Luis Demetrio Traconis Molina)
Performed by Rosemary Clooney featuring Dámaso Pérez Prado (as Perez Prado) and His Orchestra
Courtesy of The RCA Records Label
By Arrangement with Sony Music Enterprises
Opinión destacada
All in all, I found this movie quite a disappointment. I have a soft spot for sci-fi, and as several others have commented, Jude Law is a good reliable actor in sci-fi roles. But this movie seems awkwardly assembled, not quite thought-out, and a bit too proud of itself to be taken seriously. Throughout the film, at what seem to be important developmental points or even plot twists, there are one-liners tossed out with great sincerity, which in most cases either sound silly, pretentious, intellectually impoverished, or simply misplaced in this film. The first scene of the film, for instance, we are given a summarization of the 'Schroedinger's Cat' experiment, complete with some of the horrible logic underlying the film--- 'if something isn't definably dead or alive, then it must be both'. The fact that this statement shows a misunderstanding of both the scientific and philosophic merit of the experiment isn't the problem, because even incorrect junk science can be a good vehicle in a movie. The problem is that there's no reason to bring this up in the first place. the movie doesn't tackle whether things are dead or alive, whether being comprised of 'rented organs' is an crisis of existential definitions or what have you. The reference is just thrown in there to sound smart, to seem thoughtful, when the film is anything but. And this sort of pseudo intellectual posturing contaminates the movie.
The whole film's pace feels quite forced, as well. Jude Law seems underutilized. One can't help but wonder if he got drunk for the majority of the shooting for this film. When his wife leaves him, there's almost no emotion in the scene. When twenty minutes later our hero has decided to dedicate his eternal love to a street girl he finds attractive, there's really no chemistry whatsoever--- but apparently the movie insists that there be a love interest, and so it's just thrown in there, pointlessly. Because even in this day and age, it's apparently impossible to propose a hero character without a token damsel in distress.
Then there's the kind of gratuitous and uncomfortable 'surgical sex' scene. It's apparent that whoever choreographed it thought they were being clever, but the whole thing just seems like an attempt to force some sort of correlation between sex and surgical procedures that really just felt misplaced, and kind of heavy-handed. Granted, it has a purpose within the plot, but it's basically a slice of experimental film amid a sci-fi action flick, and like a lot of experiments, it fails.
There are some positive points to the film. While Jude Law's acting is a disappointment, Forrest Whittaker delivers a solid role. The action scenes are quite good, and while the overbearing presence of music makes some of it feel like a weird music video, it's nonetheless well-choreographed fighting and slashing. Some of the sets are good, although a fair number of sets and sequences seem blatant rip-offs of 'Brazil' (to say nothing of the ending)...
A pretty mindless flick. It's better than watching dust settle on your screen. A prettily-packaged emptiness.
The whole film's pace feels quite forced, as well. Jude Law seems underutilized. One can't help but wonder if he got drunk for the majority of the shooting for this film. When his wife leaves him, there's almost no emotion in the scene. When twenty minutes later our hero has decided to dedicate his eternal love to a street girl he finds attractive, there's really no chemistry whatsoever--- but apparently the movie insists that there be a love interest, and so it's just thrown in there, pointlessly. Because even in this day and age, it's apparently impossible to propose a hero character without a token damsel in distress.
Then there's the kind of gratuitous and uncomfortable 'surgical sex' scene. It's apparent that whoever choreographed it thought they were being clever, but the whole thing just seems like an attempt to force some sort of correlation between sex and surgical procedures that really just felt misplaced, and kind of heavy-handed. Granted, it has a purpose within the plot, but it's basically a slice of experimental film amid a sci-fi action flick, and like a lot of experiments, it fails.
There are some positive points to the film. While Jude Law's acting is a disappointment, Forrest Whittaker delivers a solid role. The action scenes are quite good, and while the overbearing presence of music makes some of it feel like a weird music video, it's nonetheless well-choreographed fighting and slashing. Some of the sets are good, although a fair number of sets and sequences seem blatant rip-offs of 'Brazil' (to say nothing of the ending)...
A pretty mindless flick. It's better than watching dust settle on your screen. A prettily-packaged emptiness.
- I_saw_it_happen
- 21 jun 2010
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Repo Men
- Locaciones de filmación
- Lower Bay Station, Toronto, Ontario, Canadá(subway station and subway train)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 32,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 13,794,835
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,126,170
- 21 mar 2010
- Total a nivel mundial
- USD 18,409,891
- Tiempo de ejecución1 hora 51 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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